Beckett, Deleuze and the Televisual Event
Palgrave Macmillan (Verlag)
978-1-137-01435-1 (ISBN)
COLIN GARDNER is Professor of Critical Theory and Integrative Studies at University of California, Santa Barbara, USA, where he teaches in the departments of Art, Film & Media Studies, Comparative Literature and the History of Art & Architecture. He is the author of critical studies on Joseph Losey and Karel Reisz.
Acknowledgements List of Plates List of Figures Introduction: Intuition/Image/Event: 'Beckett's Peephole' as Audio-Visual Rhizome Thinking the Unthinkable: Time, Cinema and the Incommensurable Beyond Percept and Affect: Beckett's Film (1964) and Non-Human Becoming From 'Dialoghorrhea' to Mental-Image: Comédie (1966), Not I (1977) & What Where (1986) Matter and Memory: The Image as Impersonal Process in Eh Joe (1966), Ghost Trio (1977), and …but the clouds' (1977) How to Build a Desiring Machine: Quadrat I + II (1981) Video-body, Video-brain: Nacht und Träume (1983) as Tele-Visual Event Conclusion: The Incommensurable Unnameable: Beckett, Deleuze and the Birth of the Event Bibliography Notes Index
Erscheint lt. Verlag | 17.10.2012 |
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Zusatzinfo | X, 226 p. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 140 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Philosophie ► Geschichte der Philosophie | |
Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-137-01435-0 / 1137014350 |
ISBN-13 | 978-1-137-01435-1 / 9781137014351 |
Zustand | Neuware |
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