Neapolitan Postcards
Rowman & Littlefield Publishers (Verlag)
978-0-8108-8159-4 (ISBN)
Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as “Funiculì funiculà” (1880) and “’O sole mio” (1898) which sold millions of copies. These hits fueled the tradition’s spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz.
This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.
Goffredo Plastino is reader in ethnomusicology at the International Centre for Music Studies, Newcastle University, UK. He has published widely on folk and popular music, field recordings, and jazz. Joseph Sciorra is director for academic and cultural programs at the John D. Calandra Italian American Institute, Queens College (City University of New York). As a folklorist, he has published on religious practices, material culture, and popular music, among other topics.
Foreword: Neapolitan Postcards
Martin Stokes
Chapter 1: Echoes of Naples
Goffredo Plastino
Chapter 2: A Mediterranean Triangle: Naples, Smyrna, Athens
Franco Fabbri
Chapter 3: The Neapolitan Sound Goes Around: Mechanical Music Instruments, Talking Machines, and Neapolitan Song (1850–1925)
Anita Pesce
Chapter 4: The Folk Within: On Some Neapolitan Productions in Early Twentieth-Century
Italian-American Records
Giuliana Fugazzotto
Chapter 5: New York City Neapolitan Music from the Calandra Institute’s Mark Pezzano Collection
Rosangela Briscese and Joseph Sciorra
Chapter 6: You Can Go Home Again, and Again: Santa Lucia Luntana, the Film
Giorgio Bertellini
Chapter 7: Diasporic Musings on Veracity and Uncertainties of “Core ’ngrato”
Joseph Sciorra
Chapter 8: Napoli in Buenos Aires: From Canzonetta to Tango Canción
Ana Cara
Chapter 9: The Good, the Bad, and the Ugly: Transatlantic Stereotypes 1880s–1950s
Paolo Prato
Chapter 10: Blues in the Bay: The Bluesology of James Senese and Raiz
Alessandro Buffa and Iain Chambers
Afterword:Neapolitan Postcards and Metaphorical Materiality: Ontologies of Intimacy
Philip V. Bohlman
| Erscheint lt. Verlag | 22.8.2016 |
|---|---|
| Reihe/Serie | Europea: Ethnomusicologies and Modernities |
| Verlagsort | Lanham, MD |
| Sprache | englisch |
| Maße | 163 x 233 mm |
| Gewicht | 594 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-8108-8159-4 / 0810881594 |
| ISBN-13 | 978-0-8108-8159-4 / 9780810881594 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
