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Science Fiction
Seiten
2000
Routledge (Verlag)
978-0-415-19204-0 (ISBN)
Routledge (Verlag)
978-0-415-19204-0 (ISBN)
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In Science Fiction Adam Roberts offers a clear and critically engaging account of the phenomenon illustrating the critical terminology and following the contours of its continuing history.
This outstanding volume offers a clear and critically engaged account of the phenomenon of science fiction. Adam Roberts provides a concise history of science fiction also explaining key concepts in SF criticism and theory, in chapters such as Gender, Race and Technology. He examines the interactions between science fiction and science fact, anchoring each chapter with a case study drawn from short story, book or film, from Frank Herbert's Dune to Barry Sonnenfeld's Men in Black.
Introducing the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential guide to a major cultural movement.
This outstanding volume offers a clear and critically engaged account of the phenomenon of science fiction. Adam Roberts provides a concise history of science fiction also explaining key concepts in SF criticism and theory, in chapters such as Gender, Race and Technology. He examines the interactions between science fiction and science fact, anchoring each chapter with a case study drawn from short story, book or film, from Frank Herbert's Dune to Barry Sonnenfeld's Men in Black.
Introducing the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential guide to a major cultural movement.
Adam Roberts is Lecturer in English at Royal Holloway, University of London. His sequence of SF novels is to be published by Orion.
1. Defining Science Fiction Why SF is So Good, Why SF is So Bad, Defining SF, Other Definitions of the Form, SF and Postmodernity, Prediciton and Nostalgia, Case Study Chapter 2. The History of Science Fiction Origins, Imperal Contexts, The American Century, The Golden Age, New Wave, Star Wars Chapter 3. Gender Female Science Fiction, Women and Aliens, Ursula Le Guin - The Left Hand of Darkness Chapter 4. Race Representing Race, Race and Star Trek, Alien Abduction, Blackness in Men In Black Chapter 5. Technology and Metaphor Spaceships, Robots, Cyberspace.
Erscheint lt. Verlag | 18.5.2000 |
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Reihe/Serie | The New Critical Idiom |
Verlagsort | London |
Sprache | englisch |
Maße | 129 x 198 mm |
Gewicht | 318 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 0-415-19204-8 / 0415192048 |
ISBN-13 | 978-0-415-19204-0 / 9780415192040 |
Zustand | Neuware |
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