Manuel de Falla and Visions of Spanish Music

Michael Christoforidis lectures in musicology at The University of Melbourne, where he completed his doctorate on Manuel de Falla’s neoclassical music (1997). As a musicologist, he spent several years in Madrid and Granada, including extensive research at the Archivo Manuel de Falla. The main focus of his publications has been on nineteenth- and twentieth-century Spanish music and dance, and he is the co-author of Carmen and the Staging of Spain with Elizabeth Kertesz.

Prelude

1. Images of a Life

Parisian Encounters and Andalusian Echoes

2. Conversations with Claude Debussy: La vida breve and Beyond

3. Isaac Albéniz, Claude Debussy and Views of the Alhambra from Paris

4. Fabricating Folk-songs in Paris: Siete canciones populares españolas

5. Belle-Epoque Primitivism, Igor Stravinsky, and El amor brujo (1915)

6. Spanish Guitar Traditions and Evocations of Andalusia

The Hispanic Modernist

7. Picasso, Ortega y Gasset and the Framing of El retablo de maese Pedro

8. New Orchestral Horizons and Echoes of the Past in El retablo de maese Pedro

9. The Mysterious Case of the Disappearing Moors in El retablo de maese Pedro

10. The Aesthetics of Sobriety: Reconciling Faith and Modernity

11. Hispanic Traditions through the Lens of European Modernity in the Concert

In Search of Atlantis

12. Greek Echoes in the Construction of Hispanic Identity

13. Negotiating Politics, Religion and the Idea of Castile in 1930s Spain

14. Argentine Afterword: Thoughts on Religion, Spain, and Global Cataclysm from the New World