Authentic Secondary Art Assessment

Cathy Smilan is a Professor of Art Education and the Master of Art Education Graduate Program Director at the University of Massachusetts Dartmouth. She serves a reviewer for the International Journal of Education through Art, and the Journal of Visual Culture and Gender. Dr. Smilan served as a member of the NAEA Professional Materials Committee and as a permanent editor of the IJETA IMAG. Richard Siegesmund is a Professor Emeritus of Art+Design Education at Northern Illinois University. An elected Distinguished Fellow of the National Art Education Association, he is also a recipient of the organization's Manuel Barkan Memorial Award for significance of his published research on the 1997 NAEP Arts assessment.

Introduction: Authentic Secondary Arts Assessment: Snapshots from Art Teacher Practice SECTION I: Overview of Assessment 1. Art Education Assessment and the Industrial Educational Complex 2. Educational Aims, Goals and Objectives: Balancing Instructional Objectives and Expressive Outcomes 3. Contemporary Dilemmas in the Assessment of Art Learning: Promoting Creativity, Assessing Teachers, and “Doing” the Standards SECTION II: Models of Assessment 4. Commentary Section II—Standards and the Assessment of Competencies 5. Can’t You Just Give Them a Quiz? Resistance as a Means to Promote Authentic Assessment 6. The End Justifies the Means: Assessment and Backward Design 7. Advanced Placement in Studio Art: Assessment and Advocacy 8. International Baccalaureate: Art Educators as Leaders in Models of Student Thinking and Assessing What Matters 9. Studio Thinking and Assessment in High School Visual Art 10. Assessment Literacy and edTPA: Seeing the Bigger Picture 11. The Danielson Framework for Teacher Evaluation and Student Assessment 12. Section II Summary Section II Questions and Discussion Points SECTION III: Assessing Visual Narratives and Visual Literacy 13. Commentary Section III—Visual Narrative: Assessing How We Tell Our Stories 14. Beyond the Color Wheel: Assessing for Habits of Mind in the art classroom 15. Authentic Assessment Through a Summative Bookmaking Unit 16. Expressive Portraits: Visual Narratives of Affective and Technical Assessment 17. Drawn Personalities 18. Section III Summary—The Role of “Context” in Assessment Section III: Questions and Discussion Points SECTION IV: Measuring Risk-taking and Ingenuity 19. Commentary Section IV—Nurturing and Assessing Risk-Taking in the Art Room: A Framework for Teachers 20. Assessing the Student Over the Work: Grading with Studio Habits of Mind 21. Holistic Assessment through the Photographic Lens 22. Risk and Chance: Portrait Lessons for Advanced Students from Rural and Suburban Communities 23. Risk-Taking and Empowering Students with Interdependent Artmaking 24. Section IV Summary Section IV Questions and Discussion Points SECTION V: Capturing Empathic Understandings and Social Engagement 25. Commentary Section V—Empathy and Socially Engaged Art 26. Starting a Conversation: Student-Directed Projects Designed to Engage the Community 27. An Evolution of Assessment in the Wake of a Cultural Revolution 28. Building School Community with Artist Trading Cards 29. What Breaks Your Heart? Socially Engaged Artwork in the High School Art Classroom 30. Section V Summary— Assessing Socially Engaged Art Education Section V Questions and Discussion Points SECTION VI: Assessing Collaborative and Integrated Learning Outcomes 31. Commentary Section VI—Integrated and Collaborative Assessments 32. Sculptured Landscapes: Art Lesson and Assessments 33. Ceramic Whistle Sculpture 34. Critique as Assessment 35. The Art Throwdown: Process and Production in Interscholastic Competition 36. Summary Section V—An Assessment: Art Integrated Instruction and Collaborative Learning Section VI Questions and Discussion Points SECTION VII: Closing Thoughts 37. Conclusion 38. Afterword: Addressing Social Issues and Mental Health as Contemporary Culture 39. Afterward: Rethinking Assessment – Post-Pandemic