The Bloomsbury Handbook of Popular Music Policy

Shane Homan is Associate Professor of Media, Film, and Journalism at Monash University, Australia. He is a leading international researcher on the music industries and music policy, including work with various Australian governments. He is the co-author of Popular Music and the State (2015), and co-editor of Popular Music and Cultural Policy (2015), Sounds of Then, Sounds of Now (2008), and Access All Eras (2006).

List of Figures
Notes on Contributors
Acknowledgements
1. Introduction: Situating Popular Music Policy
Shane Homan, Monash University, Australia
Part I: Policy Contexts
2. Distributing Rights and Resources: The Cultural Politics of Popular Music Policy
John Street, University of East Anglia, UK
3. The presence and Absence of Policy in the Digital Music Industries
Daniel Nordgård, University of Agder, Norway
4. Property or Status? Music and Musicians Under Copyright
Thomas Dillon, Barrister, UK
Part II: Policy Sectors
5. Conceptualising Popular Music’s Heritage as an Object of Policy: Preservation, Performance and Promotion
Paul Long, Monash University, Australia, Zelmarie Cantillon, Western Sydney University, Australia, and Sarah Baker, Griffith University, Australia
6. Popular Music, Policy and Education
Gareth Dylan Smith, Boston University, USA, and Zack Moir, Edinburgh Napier University, UK
7. Music Exports
Shane Homan, Monash University, Australia
8. Broadcasting and Popular Music Policy
Mark Percival, Queen Margaret University, UK
9. Live Music Infrastructure
Adam Behr, Newcastle University, UK
Part III: National Policy
10. Audible, Visible and Experiential: Reflections on South Korean Popular Music Policy
Soojin Kim, Korea National University of Arts, South Korea
11. The Canadian Conundrum: Robust Policies Catching Up with the Times
Richard Sutherland, Mount Royal University, Canada
12. The New Great Leap Forward of China: National and Local Music Policy in Chengdu
Qian Wang, Yibin University, China
13. Australian Popular Music Policy
Sarah Taylor, RMIT University, Australia, and Shane Homan, Monash University, Australia
14. More Than Dots on Maps: Locating Live Venues in the German Music Policy Framework
Niklas Blömeke, Paderborn University, Germany; Jan Üblacker, EBZ Business School, University of Applied Science, Bochum, Germany' Johannes Krause, Heinrich-Heine-University, Düsseldorf, Germany; Heiko Rühl, Independent Scholar, Germany; and Katharina Huseljic, Independent Scholar, Germany
15. From National Identity to the Well-Being of Future Generations: Popular Music Within Devolved Welsh Policy-Making Between 1999-2020
Luke Thomas, Independent Scholar, UK, and Paul Carr, University of South Wales, UK
Part IV: Contemporary Debates
16. Ticketing: Why Is It a Problem?
Mike Waterson, University of Warwick, UK
17. Gender and Popular Music Policy
Sam de Boise, Örebro University, Sweden, Maura Edmond, Monash University, Australia, and Catherine Strong, RMIT University, Australia
18. When Music Becomes Datafied: Streaming Services and the Case of Spotify
Jonas Anderson Schwarz, Södertörn University, Sweden, and Sofia Johanssson, Sodertorn University, Sweden
19. Music Cities
Sarah Taylor, RMIT University, Australia
20. Brexit and the UK Live Music Industry
Patrycja Rozbicka, Aston University, Birmingham, UK, Adam Behr, Newcastle University, UK, and Craig Hamilton, Birmingham City University, UK
Bibliography
Index