Matsuo Bash?’s Poetic Spaces

ELEANOR KERKHAM is Associate Professor of Japanese Language and Literature at the University of Maryland, USA.

Introduction; E.Kerkham PART I: The Artist As Thinker Bashô: At the Center of Creation; H.Nobuo Zôka: The Creative in Bashô's View of Nature and Art; D.L.Barnhill Reinventing the Landscape: The Zhuangzi and the Geographical Imagination of Bashô; P.Qiu Skeletons on the Path: Bashô Looks Forward; W.LaFleur PART II: The Artist As Poet Double Voices and Bashô's Haikai; H.Shirane Loosening the Links: Considering Intention in Linked Verseand its Consequences; I. Leopold Hanami Exploring Bashô's World of Poetic Expression: Soundscape Verses; H.Minoru And Us Too Enclosed in Mori Atsushi's Ware mo mata, Oku no hosomichi ; Eleanor Kerkham PART III: The Poet As Painter Bashô and the Haiga; J.O'Mara Intersections of Text and Image in Haiga; S.Addiss Buson's Bashô: The Embrace of Influence; E.F.Yasuhara Appendix