André Jolivet: Music, Art and Literature

Caroline Rae is a Reader in Music at Cardiff University and pianist. She has published widely on twentieth-century French music as well as on the musical writings of Alejo Carpentier, and is author of The Music of Maurice Ohana (Ashgate, 2000), editor of the revised and expanded edition of Robert Sherlaw Johnson’s Messiaen (Omnibus, 2008) and contributing co-editor of Dutilleux at 95 (Contemporary Music Review, 2010). She was Series Advisor to the Philharmonia Orchestra’s landmark festival City of Light: Paris 1900–1950 and has been a programming consultant to the BBC National Orchestra of Wales, projects including BBC Discovering Dutilleux Festival, Jolivet Composer Portrait and Paul Sacher Perspectives season. She is a frequent broadcaster on BBC Radio 3. As a pianist, she was a pupil of Dame Fanny Waterman and Yvonne Loriod-Messiaen and remains active as a performer. She was made a Chevalier de l’Ordre des Arts et des Lettres for her services to French music in 2018.

Style and Process 1. Jolivet and the Style incantatoire: Aspects of a Hybrid Tradition - Julian Anderson 2. Inside the Composer’s Workshop: Jolivet’s Manuscripts at the Bibliothèque nationale de France - Catherine Massip (translated by Caroline Rae) 3. Jolivet’s Early Music Theory and its Practice in the Cinq danses rituelles (1939) - Deborah Mawer 4. Épithalame (1953): A Case Study for Voices - Lucie Kayas Influences 5. Jolivet and the Visual Arts: Interactions and Influences - Caroline Rae 6. An Exploration of Jolivet’s Vocal Works - Christine Jolivet-Erlih and Catherine Massip (translated by Caroline Rae) 7. The Anxiety of Exoticism: Jolivet’s Relationship with Non-Western Musics - Caroline Potter 8. Jolivet Revisited: Messiaen’s Borrowings in the Incantatory Works of the 1930s - Yves Balmer, Thomas Lacôte and Christopher Murray 9. Sourcing Jolivet’s Compositional Aesthetic: Literary Influences and his Library - Caroline Rae Activities 10. Jolivet and the USSR - Christine Jolivet-Erlih (translated by Caroline Rae) 11. Jolivet as Critic: a Mirror of Music during the Occupation - Nigel Simeone 12. Jolivet as Teacher: Programme, Method and Philosophy - Pascal Terrien (translated by Caroline Rae) 13. Jolivet and the Function of Performance - Jean-Claire Vançon (translated by Caroline Rae)