Johann Leisentrit's Geistliche Lieder und Psalmen, 1567 (eBook)
380 Seiten
Fairleigh Dickinson University Press (Verlag)
978-1-61147-551-7 (ISBN)
Geistliche Lieder und Psalmen, 1567, was compiled and published by Johann Leisentrit, a Roman Catholic priest who from 1559 to the time of his death in 1586, was Dean at the Cathedral of St. Peter's in Bautzen, a town in southeastern Germany. His hymnbook appeared in three complete editions (1567, 1573, 1584), and in abridged editions in 1575, 1576, and 1589. By adapting the vernacular hymn, a genre created by Protestant reformers, Leisentrit hoped to bring back to the ';true church' (wahrglaubiger Christlicher Kirchen) those who had defected to Lutheranism. This was a formidable ambition because his diocese was located adjacent to the Moravian-Bohemian regions where the Protestant movement was born and remained vital. Containing approximately 260 texts set to 175 notated melodies, many borrowed from Protestant sources and adapted to serve Roman Catholic objectives, Leisentrit's book was the second Catholic hymnbook to be published in the sixteenth century. It surpassed its Protestant and Catholic precursors in scope and provided a model for the profusion of hymnbooks of numerous confessions that appeared in Germany in the seventeenth and eighteenth centuries .Wetzel and Heitmeyer present their study in two parts: The first comprises six contextual chapters that survey earlier German achievements in hymnody, provide analyses of the texts and music in Leisentrit's book, and assess his achievement within the volatile environment of the Counter Reformation. The second gives the melodies in modern notation along with the first stanzas of the texts; provides detailed concordances and references to sources that identify textual and musical provenances; and concludes with six appendixes to facilitate scholarly cross-references. Fourteen of the seventy wood engravings from Leisentrit's book, many of which are visual representations of the prevailing confessional conflicts, are given in enlarged reproductions.The authors provide the only comprehensive study in English of a unique religious figure and his efforts to achieve confessional reconciliation in the decades following the Council of Trent. They add to a more accurate interpretation of the relationship between Lutherans and Catholics in the sixteenth century and support the hypothesis that some Lutherans remained more liturgically formal than their Catholic contemporaries.
Richard D. Wetzel earned the Ph.D. in Musicology at the University of Pittsburgh, where he studied under Dénes Bartha, Theodore Finney and Robert J. Snow. Wetzel is on the faculty of the School of Music of Ohio University, Athens, Ohio.Erika Heitmeyer studied Germanistik and Latin philology and was director of studies at Gymansium schools in Dortmund, Germany. She received her Ph. D. in literary science with honors (summa cum laude) from the UniversitŠt OsnabrŸck, where she studied with Albert Gerhards, Winfried Woesler, and Ulrich Klein. Her articles and essays have been published in various scientific and theological magazines and anthologies.
ContentsPrefacePart 1 Context, Format and StyleChapter 1 Johann Leisentrit and the Council of Trent Decades Chapter 2 Early Sixteenth Century HymnbooksThe ProtestantsJohann Walter, Geistliche Gesang BÙchleyn, 1524, 1525Michael Weisse, Ein New Gesengbuchlen, 1531 Joseph Klug, Geistliche lieder, 1533, 1535Valentin Babst, Das Babstsche Gesangbuch, 1545Lucas Lossius Psalmodia hoc est Cantica sacraƒ, 1553 Nikolaus Herman Sonntagsevangelia, 1561The Catholic Pioneers Michael Vehe, Ein new GesangbÙchlin Geystlicher Lieder, 1537 Georg Witzel, Psaltes Ecclesiasticusƒ, 1550 The PrintersGeorg RhauThe WolrabsChapter 3 The Texts of Geistliche Lieder und Psalmen, 1567Commendations and EndorsementsInstructional TextsHymn Texts and SourcesLatin Texts and Melody TitlesGerman Texts and SourcesLeisentrit’s Process of AdaptationChapter 4 The Melodies of Geistliche Lieder und Psalmen, 1567Printing, Notation, and Transcription IssuesMelody SourcesMode and StyleChapter 5 Illustrations, Borders and Symbols PlatesTitle Page to Das erste TheilLeisentrit in PrayerLeisentrit’s Coat of ArmsDedication to the Holy Roman EmperorSymbols of the Struggles of the Church with HereticsSymbols of the Struggle for Correct Interpretation of ScriptureCelebrating the Eucharist with Cup and LoafSymbols of the Crucifixion, Resurrection, and EucharistThe Murder of Abel by CainThe Temptation of ChristAdministering Extreme UnctionChrist and the Seven SacramentsA Pastor TeachingSymbolic Portrayal of Simultaneous Lutheran Preaching and Catholic Celebration of the EucharistChapter 6 EpiloguePart 2 The Melodies and First Stanzas of Geistliche Lieder und Psalmen, 1567, Transcribed. Sources and Concordances Appendix 1Melody Titles and Text Incipits in Order of Appearance in Geistliche Lieder und Psalmen, 1567Appendix 2Alphabetical Index of Melody Titles with Text Titles or First Line Incipits Appendix 3Alphabetical Index of First LinesAppendix 4 Table of Modal Characteristics of the Melodies Appendix 5Table of Wood Engravings and Subjects Appendix 6 Latin Hymns and their AdaptationsBibliographyGeneral Index
Erscheint lt. Verlag | 15.11.2012 |
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Zusatzinfo | 208 Illustrations including: - 194 Black & White Illustrations; - 14 Halftones, Black & White including Black & White Photographs. |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musikgeschichte |
Schulbuch / Wörterbuch ► Lexikon / Chroniken | |
Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Schlagworte | 16th-century • Cultural Studies • German History • History • Literary Studies • music |
ISBN-10 | 1-61147-551-1 / 1611475511 |
ISBN-13 | 978-1-61147-551-7 / 9781611475517 |
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