Shakespeare and the Supernatural

Victoria Bladen teaches in literary studies and adaptation at The University of Queensland, Australia Yan Brailowsky is Senior Lecturer in early modern British history and literature at the University of Paris Nanterre -- .

Introduction: Shakespeare and the supernatural – Victoria Bladen and Yan Brailowsky

Part I: Embodying the supernatural
1 Shakespeare’s political spectres – Victoria Bladen
2 ‘Rudely stamped’: supernatural generation and the limits of power in Shakespeare’s Richard III – Chelsea Phillips
3 Digital puppetry and the supernatural: double Ariel in the Royal Shakespeare Company’s The Tempest (2017) – Anchuli Felicia King

Part II: Haunted spaces
4 Demons and puns: Revisiting the ‘cellarage scene’ in Hamlet – Pierre Kapitaniak
5 Performing the Shakespearean supernatural in Avignon: a challenge to the Festival – Florence March

Part III: Supernatural utterance and haunted texts
6 Prophecy and the supernatural: Shakespeare’s challenges to performativity – Yan Brailowsky
7 Puck, Philostrate and the locus of A Midsummer Night’s Dream’s topical allegory – Laurie Johnson
8 ‘Strange intelligence’: Transformations of witchcraft in Macbeth discourse – William C. Carroll

Part IV: Magic, music and gender
9 Music and magic in The Tempest: Ariel’s alchemical songs – Natalie Roulon
10 From Prospero to Prospera: transforming gender and magic on stage and screen – Katharine Goodland

Part V: Contemporary transformations
11 ‘I’ll put a girdle round the earth in forty minutes’: representing the supernatural in film adaptations of A Midsummer Night’s Dream – Gayle Allan
12 Ophelia and her magical daughters: the afterlives of Ophelia in Japanese pop culture – Yukari Yoshihara
Index -- .