Collaboration in Performance Practice (eBook)
XVII, 311 Seiten
Palgrave Macmillan UK (Verlag)
978-1-137-46246-6 (ISBN)
Caroline Bowditch, Independent Performance Artist and Choreographer, UK David Bower, Signdance Collective International, UK Carol Brown, University of Auckland, Australia Emilyn Claid, Roehampton University, UK Noyale Colin, University Campus Suffolk, UK Laura Cull, University of Surrey, UK Pedro de Senna, Middlesex University, UK Ewan Forster, University of Roehampton, UK Christopher Heighes, University of Roehampton, UK Tim Jeeves, Lancaster University, UK Alexandra Kolb, Middlesex University, UK, Erin Manning, Concordia University, Canada Susan Melrose, Middlesex University, UK Simon Murray, University of Glasgow, UK Moana Nepia, University of Hawai'i at M?noa, USA Martina Ruhsam, Justus Liebig University Giessen, Germany Stefanie Sachsenmaier, Middlesex University, UK Kris Salata, Florida State University, USA
This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Scholars and artistic practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century.
Noyale Colin is a lecturer and the course leader of the BA (Hons) Dance programme at University Campus Suffolk, UK. She has worked as a performer and choreographer in the United States and Europe. Her current research examines the politics of co-working in contemporary performance making.Stefanie Sachsenmaier is Senior Lecturer in Theatre Arts at Middlesex University, UK. With a background as a performer and tai chi practitioner, her research interests centre on the processual in creative practice.
1. Introduction: Collaborative Performance-Making in Context; Noyale Colin & Stefanie SachsenmaierPART I: PREMISES2. Contemporary Collaborations and Cautionary Tales; Simon Murray3. Collaboration, Temporality and Post-Fordism; Bojana Kunst4. Collaboration, Democracy and the Total Artwork; Alexandra Kolb 5. I want to work with you because I can speak for myself: The Potential of Postconsensual Collaboration in Choreographic Practice; Martina Rusham6. Ten Propositions for Research-Creation; Erin ManningPART II: WORKINGS7. Since each of us was several: Collaboration in the context of the differential self; Laura Cull8. Collaboration as a Mode of Labour; Noyale Colin9. The Author of the Gift -The Practice of Authorship; Tim Jeeves10. Asking 'What is Collaboration?' on Behalf of Jerzy Grotowski; Kris Salata11. Te Kore and the encounter of performance; Carol Brown and Moana Nepia12. Rowing to Hilversum Double Vision in Performance and Architecture; Pedro de Senna, Caroline Bowditch, David Bower13. Rowing to Hilversum Double Vision in Performance and Architecture; Forster and HeighesPART III: FAILURE14. Positive Negatives or the subtle arts of compromise; Susan Melrose15. Messy Bits; Emilyn Claid16. Productive misapprehensions Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice; Stefanie SachsenmaierIndex
| Erscheint lt. Verlag | 29.4.2016 |
|---|---|
| Zusatzinfo | XVII, 311 p. |
| Verlagsort | London |
| Sprache | englisch |
| Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Schlagworte | 15th century • Architecture • collaboration in performance • contemporary performance • creative decision-making • Dance • Democracy • Interdisciplinary collaboration • International collaboration • Oral discourse • Performance • performance-making • Performance practice • Philosophy • Practice as research • Proposition • total artwork |
| ISBN-10 | 1-137-46246-9 / 1137462469 |
| ISBN-13 | 978-1-137-46246-6 / 9781137462466 |
| Haben Sie eine Frage zum Produkt? |
PDF (Wasserzeichen)DRM: Digitales Wasserzeichen
Dieses eBook enthält ein digitales Wasserzeichen und ist damit für Sie personalisiert. Bei einer missbräuchlichen Weitergabe des eBooks an Dritte ist eine Rückverfolgung an die Quelle möglich.
Dateiformat: PDF (Portable Document Format)
Mit einem festen Seitenlayout eignet sich die PDF besonders für Fachbücher mit Spalten, Tabellen und Abbildungen. Eine PDF kann auf fast allen Geräten angezeigt werden, ist aber für kleine Displays (Smartphone, eReader) nur eingeschränkt geeignet.
Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür einen PDF-Viewer - z.B. den Adobe Reader oder Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür einen PDF-Viewer - z.B. die kostenlose Adobe Digital Editions-App.
Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.
aus dem Bereich
