Singing and the Actor
Seiten
2017
|
POD
Methuen Drama (Verlag)
978-1-4742-6102-9 (ISBN)
Methuen Drama (Verlag)
978-1-4742-6102-9 (ISBN)
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This guide takes the reader through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities, including belting and twang are explained, with exercises for each topic.
Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice?
Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.
Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice?
Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.
Dr. Gillyanne Kayes is a renowned singing voice specialist and voice researcher. She is internationally recognised as an expert in functioning of singing voice, and as a `vocal troubleshooter’. Numerous West End and international artists continue to benefit from her training.
Erscheint lt. Verlag | 30.11.2017 |
---|---|
Zusatzinfo | approx 30 line drawings |
Verlagsort | London |
Sprache | englisch |
Maße | 135 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Theater / Ballett | |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
ISBN-10 | 1-4742-6102-7 / 1474261027 |
ISBN-13 | 978-1-4742-6102-9 / 9781474261029 |
Zustand | Neuware |
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