Contemporary Exhibition-Making and Management
Curating IMT Gallery as a Hybrid Space
Seiten
2024
Routledge (Verlag)
978-1-032-05528-2 (ISBN)
Routledge (Verlag)
978-1-032-05528-2 (ISBN)
- Noch nicht erschienen (ca. Oktober 2024)
- Versandkostenfrei innerhalb Deutschlands
- Auch auf Rechnung
- Verfügbarkeit in der Filiale vor Ort prüfen
- Artikel merken
This book provides a unique insight into contemporary curation and management in an innovative London-based gallery.
Using a critical in-depth case study exploration of IMT art gallery’s ‘successes’ and ‘failures’, it illustrates and evaluates contemporary issues and challenges in curatorial initiatives and exhibition-making strategies. IMT operates as a ‘hybrid space’, combining characteristics of both the commercial gallery sector with non-profit artist-led or garage spaces while retaining affiliations to academic teaching and research. This book explores its structure, behaviour, history, partnerships and exhibition programme through a variety of disciplinary lenses, bringing together cultural, creative, economic, and pedagogical perspectives, as well as the effect of recent sociocultural impacts of the global financial crisis, and the COVID-19 pandemic.
Research-based and thought-provoking, this study will be of great interest to researchers, advanced students and professionals in curatorial studies, museum and gallery management, and art markets.
Using a critical in-depth case study exploration of IMT art gallery’s ‘successes’ and ‘failures’, it illustrates and evaluates contemporary issues and challenges in curatorial initiatives and exhibition-making strategies. IMT operates as a ‘hybrid space’, combining characteristics of both the commercial gallery sector with non-profit artist-led or garage spaces while retaining affiliations to academic teaching and research. This book explores its structure, behaviour, history, partnerships and exhibition programme through a variety of disciplinary lenses, bringing together cultural, creative, economic, and pedagogical perspectives, as well as the effect of recent sociocultural impacts of the global financial crisis, and the COVID-19 pandemic.
Research-based and thought-provoking, this study will be of great interest to researchers, advanced students and professionals in curatorial studies, museum and gallery management, and art markets.
Mark Rohtmaa-Jackson is a curator and Assistant Professor in Fine Art Critical Theory and Curatorial Practice at Northumbria University, UK.
1. Orientations 2. The Cult of Possible Elements 3. This is a Not-Me 4. Five Mouths that Form a Diagram of Desire 5. Hybrid Eggs and Deterritorialization 6. Gallery as Third Mind 7. Bric-à-brac and the Artist-Run 8. All Money Is Blood 9. Death 10. A View from Elsewhere 11. The Dream at the Periphery of the Centre 12. Collectivity and ‘a Plan of Living’ 13. The Long 1990s 14. 2008 15. Being Public: The Threshold and the Café 16. Dead Fingers Talk: A Place that Holds 17. Making a Fucking Mess of It 18. Curatorial Practice 19. Five Mouths Reprise 20. Ends
Erscheinungsdatum | 05.08.2023 |
---|---|
Reihe/Serie | Routledge Focus on the Global Creative Economy |
Zusatzinfo | 6 Halftones, black and white; 6 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 138 x 216 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater |
Reisen ► Reiseführer | |
Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
Wirtschaft ► Betriebswirtschaft / Management ► Planung / Organisation | |
Wirtschaft ► Betriebswirtschaft / Management ► Unternehmensführung / Management | |
ISBN-10 | 1-032-05528-6 / 1032055286 |
ISBN-13 | 978-1-032-05528-2 / 9781032055282 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
innovative Wege der Konzeption und Evaluation von Ausstellungen
Buch | Softcover (2024)
transcript (Verlag)
37,00 €