Films of Robert Wise (eBook)
240 Seiten
Scarecrow Press (Verlag)
978-0-8108-6663-8 (ISBN)
From his early days as a film editor at RKO studios, where he helped Orson Welles shape Citizen Kane, to his success as a director and producer of musical blockbusters of the 1960s, Robert Wise had a long and illustrious film career. Unlike contemporaries such as Alfred Hitchcock, John Ford or Howard Hawks, however, Wises films lack any clearly discernible characteristics to signify his work. There are few striking camera angles or visual flourishes that might distract from the primary obligation to present the story. And like Hawks, Wise never specialized in one or two genres, but brought his directing skills to all manner of films. His work as a director resists auteur categorization, and that is a chief reason why some critics have been unduly negative in their consideration of his work.In The Films of Robert Wise, Richard Keenan examines the nearly forty features that represent the directors careerfrom Curse of the Cat People in 1944 to A Storm in Summer (2001), the only television production Wise ever directed. Keenan offers a reappraisal of Wises films so that the true quality of his work can be better appreciated. Keenan argues that if there was a flaw in Robert Wise as a director, it was that he lacked the ego and temperament of the artist, which was not necessarily a flaw at all. Indeed, Wise was a conscientious craftsman who saw his work not primarily as a vehicle for his own ideas and visual style, but as an opportunity to present narrative thatquite simplyengages, informs, and entertains. It was this perspective that helped produce a number of memorable films over the years, including the gritty noir Born to Kill, the one-two punch of The Set-Up and Somebody Up There Likes Me, the sci-fi prophecy The Day the Earth Stood Still, and the gripping indictment of capital punishment, I Want to Live!classics all. Wise also won a pair of Oscars for two of the most memorablenot to mention successfulmusicals of all time: West Side Story and The Sound of Music.Drawing on more than 30 hours of interviews with Wiseas well as additional interviews with a number of his collaboratorsKeenan offers a welcome reassessment of the directors work. In his analysis of each film, Keenan reveals both Wise the craftsman and the artist. In doing so, The Films of Robert Wise finally confers upon this underappreciated director the recognition he deserves.
Richard Keenan is currently the chair of the department of English and Modern Languages at the University of Maryland, Eastern Shore.
PrefaceAcknowledgments1 The Early Years at RKO2 The Years with Val Lewton3 More B Movies4 Moving Up: From B to A5 Wise at His Best: The Set-Up6 The Years at Warner Bros. and Fox7 Science Fiction and the Cold War:The Day the Earth Stood Still8 1952-1958: Documentary Style—And Everything Else...9 "Produced" by Robert Wise10 From Stage to Film: Preeminent Translator of Musicals11 The 1970s12 Searching for New BeginningsAppendix: An Interview with Robert WiseBibliographyFilmographyIndexAbout the Author
Erscheint lt. Verlag | 22.8.2007 |
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Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Reisen ► Reiseberichte ► Nord- / Mittelamerika | |
ISBN-10 | 0-8108-6663-3 / 0810866633 |
ISBN-13 | 978-0-8108-6663-8 / 9780810866638 |
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