Testimony and Advocacy in Victorian Law, Literature, and Theology
Seiten
2006
Cambridge University Press (Verlag)
978-0-521-02635-2 (ISBN)
Cambridge University Press (Verlag)
978-0-521-02635-2 (ISBN)
This original study examines how the changing nature of evidence in law and theology shaped literary narrative in the nineteenth century. Jan-Melissa Schramm argues that authors of fiction created a style of literary advocacy which both imitated, and reacted against, the example of their storytelling counterparts of the criminal Bar.
The eighteenth-century model of the criminal trial - with its insistence that the defendant and the facts of a case could 'speak for themselves' - was abandoned in 1836, when legislation enabled barristers to address the jury on behalf of prisoners charged with felony. Increasingly, professional acts of interpretation were seen as necessary to achieve a just verdict, thereby silencing the prisoner and affecting the testimony given by eye witnesses at criminal trials. Jan-Melissa Schramm examines the profound impact of the changing nature of evidence in law and theology on literary narrative in the nineteenth century. Already a locus of theological conflict, the idea of testimony became a fiercely contested motif of Victorian debate about the ethics of literary and legal representation. She argues that authors of fiction created a style of literary advocacy which both imitated, and reacted against, the example of their storytelling counterparts at the Bar.
The eighteenth-century model of the criminal trial - with its insistence that the defendant and the facts of a case could 'speak for themselves' - was abandoned in 1836, when legislation enabled barristers to address the jury on behalf of prisoners charged with felony. Increasingly, professional acts of interpretation were seen as necessary to achieve a just verdict, thereby silencing the prisoner and affecting the testimony given by eye witnesses at criminal trials. Jan-Melissa Schramm examines the profound impact of the changing nature of evidence in law and theology on literary narrative in the nineteenth century. Already a locus of theological conflict, the idea of testimony became a fiercely contested motif of Victorian debate about the ethics of literary and legal representation. She argues that authors of fiction created a style of literary advocacy which both imitated, and reacted against, the example of their storytelling counterparts at the Bar.
Acknowledgements; Introduction: justice and the impulse to narrate; 1. Eye-witness testimony in the construction of narrative; 2. The origins of the novel and the genesis of the law of evidence; 3. Criminal advocacy and Victorian realism; 4. The martyr as witness: inspiration and the appeal to intuition; Conclusion; Notes; Bibliography; Index.
Erscheint lt. Verlag | 27.4.2006 |
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Reihe/Serie | Cambridge Studies in Nineteenth-Century Literature and Culture |
Zusatzinfo | 1 Halftones, unspecified |
Verlagsort | Cambridge |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 390 g |
Themenwelt | Geschichte ► Teilgebiete der Geschichte ► Militärgeschichte |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Recht / Steuern ► EU / Internationales Recht | |
Recht / Steuern ► Rechtsgeschichte | |
ISBN-10 | 0-521-02635-0 / 0521026350 |
ISBN-13 | 978-0-521-02635-2 / 9780521026352 |
Zustand | Neuware |
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