Forensic Musicology and the Blurred Lines of Federal Copyright History
Seiten
2022
Lexington Books (Verlag)
978-1-7936-1942-6 (ISBN)
Lexington Books (Verlag)
978-1-7936-1942-6 (ISBN)
This book examines the role of forensic musicologists in music copyright infringement claims. It analyzes the contested nature of the legal space in relation to the sometimes contradictory opinions of expert witnesses and non-expert judges and juries.
Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.
Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.
Katherine M. Leo is assistant professor of music at Millikin University.
Chapter 1: The Foundations of Music Copyright Law and Musical Expertise
Chapter 2: Judges, Experts, and Ordinary Listeners
Chapter 3: Arnstein, Krofft, and the Narrowing Role of Expertise
Chapter 4: The Problems with Arnstein and Krofft
Chapter 5: Sampling Cases and the Digital Audio Revolution
Chapter 6: New Standards of Musical Expertise
Conclusion: The “Blurred Lines” of Contemporary Music Copyright Litigation
Erscheinungsdatum | 30.04.2022 |
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Verlagsort | Lanham, MD |
Sprache | englisch |
Maße | 154 x 243 mm |
Gewicht | 331 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
Recht / Steuern ► EU / Internationales Recht | |
Recht / Steuern ► Wirtschaftsrecht ► Urheberrecht | |
ISBN-10 | 1-7936-1942-5 / 1793619425 |
ISBN-13 | 978-1-7936-1942-6 / 9781793619426 |
Zustand | Neuware |
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