Music
The Business - The Essential Guide to the Law and the Deals
Seiten
2003
Virgin Books (Verlag)
978-1-85227-013-1 (ISBN)
Virgin Books (Verlag)
978-1-85227-013-1 (ISBN)
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This book is the complete lowdown on how the UK music business works from a legal and contractual point of view. Updated to include the impact of the latest technological advances such as Napster on the development of music law and highlighted with examples of milestone court cases.
Are you a recording artist, songwriter, music business manager, music industry executive, publisher, music/TV/radio journalist, media student or lawyer? Are you fascinated by the world of the music industry that fills our daily papers? If the answer is yes, this book aims to tell you everything you need to know. Answering all the questions, demystifying all the jargon, revealing the facts behind the headlines and the real figures underlying those multimillion pound deals, this book offers a guide to the UK's most happening industry. The book covers music law in the UK and there are studies of cases involving some of the greatest British stars, including Elton John, Robbie Williams and George Michael. This textbook looks at all the leading cases, with background details and the author's views on their impact within the music business - how they changed the deals, the contracts and, in some cases, the whole way the business operates.
"Music: The Business" describes the precedents that have helped shape the body of UK music law as it stands at the beginning of the 21st century, but, even more importantly in an age of exponentially rapid technological change, it shows the options for the future.
Are you a recording artist, songwriter, music business manager, music industry executive, publisher, music/TV/radio journalist, media student or lawyer? Are you fascinated by the world of the music industry that fills our daily papers? If the answer is yes, this book aims to tell you everything you need to know. Answering all the questions, demystifying all the jargon, revealing the facts behind the headlines and the real figures underlying those multimillion pound deals, this book offers a guide to the UK's most happening industry. The book covers music law in the UK and there are studies of cases involving some of the greatest British stars, including Elton John, Robbie Williams and George Michael. This textbook looks at all the leading cases, with background details and the author's views on their impact within the music business - how they changed the deals, the contracts and, in some cases, the whole way the business operates.
"Music: The Business" describes the precedents that have helped shape the body of UK music law as it stands at the beginning of the 21st century, but, even more importantly in an age of exponentially rapid technological change, it shows the options for the future.
Ann Harrison has been a practising media lawyer since 1983. She became a partner of leading entertainment firm Harbottle & Lewis in 1992 and now heads up the Music Department there. She specialises in copyright and contract law with increasing emphasis on new media and means of delivering music to the public via the Internet. Her clients include Robbie Williams, PJ Harvey. The Corrs and Bernard Butler as well as composers like Barrington Pheloung, who wrote the Theme to Inspector Morse. She also advises organisations like Ministry of Sound as well as computer games publishers, Eidos and SCI.
Erscheint lt. Verlag | 10.4.2003 |
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Zusatzinfo | line diagrams, tables |
Verlagsort | London |
Sprache | englisch |
Maße | 164 x 241 mm |
Gewicht | 630 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
Recht / Steuern ► EU / Internationales Recht | |
Recht / Steuern ► Privatrecht / Bürgerliches Recht ► Medienrecht | |
Recht / Steuern ► Wirtschaftsrecht ► Handelsrecht | |
ISBN-10 | 1-85227-013-6 / 1852270136 |
ISBN-13 | 978-1-85227-013-1 / 9781852270131 |
Zustand | Neuware |
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