Instrumentality
On Technical Objects and Orientations in the Later Middle Ages
Seiten
2024
University of Minnesota Press (Verlag)
978-1-5179-1739-5 (ISBN)
University of Minnesota Press (Verlag)
978-1-5179-1739-5 (ISBN)
From medieval to modern, exploring instrumental attitudes toward physical gadgets, diagrams, concepts, methods, and disciplines
Opening up the instrumental condition of the human for critical reflection and renewal, Instrumentality illuminates key moments in the intellectual history of the European Middle Ages. J. Allan Mitchell reveals how, in the predigital past, we can recognize many of the operative technics, analytics, and metaphorics that continue to shape human sense and cognition today.
Exploring the diverse modalities of medieval instruments, Mitchell’s case studies encompass techniques as seemingly distinct as time-keeping mechanisms, mathematical diagrams, logical syllogisms, and the literary devices of Geoffrey Chaucer and John Gower. A cultural and intellectual history, Mitchell’s work leads readers from three-dimensional objects (physical mechanisms) to two-dimensional inscriptions (maps and diagrams) and onward to overarching disciplinary norms in the early liberal and mechanical arts. Prying loose the subtle, adaptable, and generative concept of technical objects from limiting contemporary frameworks, he shows how these instruments are indispensable to the past—and the future—of the arts and culture at large.
Opening up the instrumental condition of the human for critical reflection and renewal, Instrumentality illuminates key moments in the intellectual history of the European Middle Ages. J. Allan Mitchell reveals how, in the predigital past, we can recognize many of the operative technics, analytics, and metaphorics that continue to shape human sense and cognition today.
Exploring the diverse modalities of medieval instruments, Mitchell’s case studies encompass techniques as seemingly distinct as time-keeping mechanisms, mathematical diagrams, logical syllogisms, and the literary devices of Geoffrey Chaucer and John Gower. A cultural and intellectual history, Mitchell’s work leads readers from three-dimensional objects (physical mechanisms) to two-dimensional inscriptions (maps and diagrams) and onward to overarching disciplinary norms in the early liberal and mechanical arts. Prying loose the subtle, adaptable, and generative concept of technical objects from limiting contemporary frameworks, he shows how these instruments are indispensable to the past—and the future—of the arts and culture at large.
J. Allan Mitchell is professor of English and director of medieval studies at the University of Victoria. He is author of several books, including Becoming Human: The Matter of the Medieval Child (Minnesota, 2014).
Erscheinungsdatum | 02.10.2024 |
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Zusatzinfo | 11 black and white illustrations |
Verlagsort | Minnesota |
Sprache | englisch |
Maße | 140 x 216 mm |
Gewicht | 199 g |
Themenwelt | Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte |
Geisteswissenschaften ► Philosophie ► Philosophie des Mittelalters | |
Naturwissenschaften | |
ISBN-10 | 1-5179-1739-5 / 1517917395 |
ISBN-13 | 978-1-5179-1739-5 / 9781517917395 |
Zustand | Neuware |
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Buch | Softcover (2024)
Pantheon (Verlag)
16,00 €