Timothie Bright and the Origins of Early Modern Shorthand - James Dougal Fleming

Timothie Bright and the Origins of Early Modern Shorthand

Melancholy, Medicines, and the Information of the Soul
Buch | Hardcover
228 Seiten
2024
Routledge (Verlag)
978-1-032-75749-0 (ISBN)
159,95 inkl. MwSt
In Timothie Bright and the Origins of Early Modern Shorthand, J. D. Fleming brings together two areas of sixteenth-century intellectual history.
In Timothie Bright and the Origins of Early Modern Shorthand, J.D. Fleming brings together two areas of sixteenth-century intellectual history. One is the period emergence of artificial systems for verbatim shorthand notation—a crucial episode in the history of information. The other is the ancient medical discourse of melancholy humour, or black bile. Timothie Bright (1550–1615), physician and priest, prompts the juxtaposition. For he was the author, not only of the period’s original shorthand manual—Characterie (1588)—but also of the first book in English on the dark humour: The Treatise of Melancholy (1586).

Bright’s account of melancholy involves a cybernetic phenomenology of the human. Essentially, we are psyches (souls or minds). We are sealed off from our bodies, operating them as automata across an interface. Psychological presence, for Bright, is illusion and pathology. Engrossing performances or representations therefore bring great danger, and so does the doctrine of predestination—less for its content than its typical delivery. Painful preaching was indispensable in sixteenth-century English Protestantism. But it falls foul of Bright’s proscriptions. These are followed by his publication of the first known system for verbatim shorthand notation since antiquity, its technique heavily inflected toward a vocabulary of the pulpit. The passionate, oral performance of the inspired preacher receives an unprecedented textual preservative—and prophylactic. Bright’s technology of information serves his phenomenology of alienation.

This book will be of interest to students and scholars of the early modern period, the tradition of melancholy, and the history of information—as theory, and technology.

James Dougal Fleming is Professor of English Literature at Simon Fraser University in Vancouver, Canada. His research is primarily in early modern intellectual history, with an emphasis on epistemic issues surrounding, and arising from, the Scientific Revolution. His previous books are Milton’s Secrecy and Philosophical Hermeneutics (2008), The Mirror of Information in Early Modern England: John Wilkins and the Universal Character (2017), and (ed. and intro.) The Invention of Discovery, 1500–1700 (2011).

Introduction

The Double physician

Informatio medici

Messages and meanings

From hand to soul

Part One: Technology

1. The Seventeenth-Century Shorthand Movement: In Four Corners

A Protean art

Yet shorter

Groovy images

Another way to the word

2. “My Invention”: What Was Characterie?

Verbatim notation

Informational exchange

Hybrid publishing

Innovation

Source

3. “Indifferently Affected”: The Characterie Terms

Wanting an alphabet

De arte combinatoria

A Book of lists

Writing sermons

Orality and control

Mere information

Part Two: Theory

4. Against Navigation: English Medicines

The Medical background, ca. 1580

An English Galenism, 1574

The Paracelsian difference, 1585

TEM (i) Aut externi orbis

(ii) Here be (no) serpents

5. “Never Able to Abide”: The Melancholy Conscience

The Medical Tradition: Natural, genial, adust

The Literary Valence: Euphues his face

Treatment: Going on a data

TMel (i) “Saving that”

(ii) “No medicine, no purgation, no cordial”

(iii) “Spectacles are to be shunned”

(iv) “In written words revealed”

6. “The Mechenist”: Not Being There

TMel (v) The Natural chemist

(vi) Invisible seeds

(vii) Bright’s spirit

(viii) Faculty and instruments

(ix) In machina

(x) Serenity of the spotless psyche

(xi) Information overload

Conclusion

Appendices

1. Sixteenth-Century English shorthands before Bright’s? The absence of evidence.

2. Lists of the Characterie terms.

3. Bright on “soul” and “mind.”

Bibliography

Erscheinungsdatum
Reihe/Serie Routledge Research in Early Modern History
Zusatzinfo 4 Halftones, black and white; 4 Illustrations, black and white
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 620 g
Themenwelt Geschichte Allgemeine Geschichte Neuzeit (bis 1918)
Studium Querschnittsbereiche Geschichte / Ethik der Medizin
Naturwissenschaften
ISBN-10 1-032-75749-3 / 1032757493
ISBN-13 978-1-032-75749-0 / 9781032757490
Zustand Neuware
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