A Bastard Kind of Reasoning
State University of New York Press (Verlag)
978-1-4384-9322-0 (ISBN)
What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry—the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Blake was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake's mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake's art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves.
Now retired, Andrew M. Cooper previously taught in the Department of English at the University of Texas at Austin. He is the author of William Blake and the Productions of Time and Doubt and Identity in Romantic Poetry.
List of Illustrations
Acknowledgments
Abbreviations
Introduction: Geometry and Blake’s Newton Print
1. “Oh, but you’re just analogizing . . .”
2. Learning to Read in a Force Field: Songs of Innocence, Hartleyan Psychology, and the Physics of R. J. Boscovich
3. The Book of Urizen as a Vortex of Perception
4. A Brief Particular History of the Fourth Dimension of Space, with Special Reference to Milton: A Poem
5. The Neoplatonism of Blake’s Mundane Soul
6. Berkeley: Very Close, but No Cigar
Conclusion: The Unified Space-Time of The Vision of the Last Judgment
Notes
Works Cited
Index
| Erscheinungsdatum | 04.05.2023 |
|---|---|
| Reihe/Serie | SUNY series, Studies in the Long Nineteenth Century |
| Zusatzinfo | Total Illustrations: 30 |
| Verlagsort | Albany, NY |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 227 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Naturwissenschaften | |
| ISBN-10 | 1-4384-9322-3 / 1438493223 |
| ISBN-13 | 978-1-4384-9322-0 / 9781438493220 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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