Sonic Skills
Palgrave Macmillan (Verlag)
978-1-349-95920-4 (ISBN)
Karin Bijsterveld is historian and professor of Science, Technology and Modern Culture at Maastricht University. She is author of Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century (2008), co-editor of the Oxford Handbook of Sound Studies (2012) and co-editor of Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (2009). Three recent publications are the edited volume Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (2013), the monograph Sound and Safe: A History of Listening Behind the Wheel (2014), and a special issue on Auditory History guest edited for The Public Historian (2015).
Acknowledgements.- 1. Listening for Knowledge: Introduction.- 2. Sonic Signs: Turning to, Talking about and Transcribing Sound.- 3. Modes of Listening: Why, How and to What?.- 4. Resounding Contestation: The Ambiguous Status of Sonic Skills.- 5. Popping Up: The Continual Return of Sound and Listening.- 6. Ensembles of Sonic Skills: Conclusions.- References.
Erscheinungsdatum | 28.10.2019 |
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Zusatzinfo | IX, 174 p. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 148 x 210 mm |
Themenwelt | Geschichte ► Teilgebiete der Geschichte ► Technikgeschichte |
Naturwissenschaften | |
Technik ► Maschinenbau | |
Schlagworte | Ensembles of Sonic Skills • Epistemological Contestation • Listening for Knowledge • Modes of Listening • open access • science dynamics • Somatic Vigilance • Sonic Signs • Sonic Skills • Synchronization • Versatility of Digital Technologies |
ISBN-10 | 1-349-95920-0 / 1349959200 |
ISBN-13 | 978-1-349-95920-4 / 9781349959204 |
Zustand | Neuware |
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