Cartographic Abstraction in Contemporary Art
Seeing with Maps
Seiten
2019
Routledge (Verlag)
978-0-367-35401-5 (ISBN)
Routledge (Verlag)
978-0-367-35401-5 (ISBN)
In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks and theories in each chapter.
In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.
In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.
Claire Reddleman received her PhD in cultural studies from Goldsmiths, University of London.
Table of contents:
Introduction - From critical cartography to cartographic abstraction: rethinking the production of cartographic viewing through contemporary artworks
Chapter One – Reconfiguring the view from nowhere: collage and complicity in Targets by Joyce Kozloff
Chapter Two – The drone’s eye view: networked vision and visibility in works by James Bridle and Trevor Paglen
Chapter Three – Remote viewing, cartographic abstraction and the antipodes: three works by Layla Curtis
Chapter Four – Signification in the soundscape: Bill Fontana’s River Sounding
Chapter Five – Cartographic abstraction: a material modality of thought and experience
Erscheinungsdatum | 21.06.2019 |
---|---|
Reihe/Serie | Routledge Advances in Art and Visual Studies |
Zusatzinfo | 38 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 174 x 246 mm |
Gewicht | 349 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Naturwissenschaften ► Geowissenschaften ► Geografie / Kartografie | |
ISBN-10 | 0-367-35401-2 / 0367354012 |
ISBN-13 | 978-0-367-35401-5 / 9780367354015 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
über eine faszinierende Welt zwischen Wasser und Land und warum sie …
Buch | Hardcover (2023)
dtv (Verlag)
24,00 €
Buch | Hardcover (2021)
Suhrkamp (Verlag)
28,00 €