Quantum Art & Uncertainty (eBook)
188 Seiten
Intellect Books Ltd (Verlag)
978-1-78320-902-6 (ISBN)
In order to draw parallels between art, science and culture, this publication will explore the ways that selected art works have contributed to a form of cultural pedagogy.
At the core of both art and science we find the twin forces of probability and uncertainty. However, these two worlds have been tenuously entangled for decades. On the one hand, artists continue to ask complex questions that align with a scientific fascination with new discoveries, and on the other hand, it is increasingly apparent that creativity and subjectivity inform science's objective processes and knowledge systems.In order to draw parallels between art, science and culture, this publication will explore the ways that selected art works have contributed to a form of cultural pedagogy. It follows the integration of culture and science in artists' expressions to create meaningful experiences that expose the probabilities and uncertainties equally present in the world of science.
lt;p>Paul Thomas is a Professor of Fine Art at UNSW Art and Design. He is the Director of the Studio for Transdisciplinary Art Research (STAR) and is the instigator of the Transdisciplinary Imaging Conference series 2010–2018. In 2000, he instigated and was the founding Director of the Biennale of Electronic Arts Perth 2002, 2004 and 2007. Thomas is a pioneer of transdisciplinary art practice. His current practice led research takes not only inspiration from nanoscience and quantum theory, but actually operates there. Thomas’s current research ‘Quantum Consciousness’ is based on the experiments being conducted by Professor Andrea Morello, Quantum Nanosystems, UNSW, looking at immersing the viewer in a visualization and sonification of quantum phenomena in the development of quantum computing. He has exhibited nationally and internationally with his previous nano artworks Mulitverse based on Richard Feynman’s diagrams of photons reflecting from a mirror, Nanoessence which explored the space between life and death at a nano level and Midas which researched what is transferred when skin touches gold at a nano level. His current publications are, Nanoart: The Immateriality of Art, Reconfiguring Space, Relive Media art Histories, co-edited with Sean Cubitt, Interference Strategies and Cloud and Molecular Aesthetics co-edited with Lanfranco Aceti and Edward Colless.
Foreword
Between Nothingness and Eternity
Timothy Morton
Introduction
Chapter 1: The Swerve
Measurement and control
The Solvay rupture
Capturing reality
The unpredictable swerve
Counterfactual definiteness of art
Swerve speed
Quantum biology
Convergence
Diagram and the new language
The line
The flexible diagram
Entanglement and space
Multiverse
Multiverse and parallel worlds
Probability of facts
In aid of the diagram
Bergson’s diagram and quantum parallels
Bacon’s synergies
Quantum spin
The creativity of the spin
Quantum consciousness
Consciousness and the swerve
Chapter 4: The Graphene Moment
The genealogy of graphite
The haptic Atomic Force Microscope
Agency and mediums
The art of graphite
Drawing out
Performative agency
Chapter 5: Cloud
The itinerant cloud
Shifting power of perspective
Pre-cloud conscious
Repositioning the cloud
The machinic whole
Engineer’s perspective
Conclusion
Fragments
References
Author’s Biography
Index
Erscheint lt. Verlag | 15.1.2019 |
---|---|
Verlagsort | Bristol |
Sprache | englisch |
Maße | 170 x 170 mm |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Naturwissenschaften | |
Schlagworte | ART • art and science • Bergson's Diagram • Capturing Reality • Cultural pedagogy • Culture • eternity • Graphite • Multiverse • Performative agency • Photonic traces • quantum art • quantum biology • Quantum Physics • Science • Solv • Swerve speed • The Graphene moment |
ISBN-10 | 1-78320-902-X / 178320902X |
ISBN-13 | 978-1-78320-902-6 / 9781783209026 |
Haben Sie eine Frage zum Produkt? |
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