Supercell's Supercell featuring Hatsune Miku
Bloomsbury Academic USA (Verlag)
978-1-5013-2598-4 (ISBN)
33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.
Keisuke Yamada is a PhD candidate in ethnomusicology at the University of Pennsylvania, USA. He is currently working on a long-term ethnographic project involving the shamisen (Japanese three-stringed instrument) in East Asia, Southeast Asia, and North America, especially focusing on the transnational circulation of the materials from which the instrument is made. His work has appeared in Asian Music, Ethnomusicology Review, and the Journal of World Popular Music, among others.
Acknowledgements
Notes on Japanese Names and Translations
Introduction
Part I: Settings
Chapter 1. Hatsune Miku and DTM Culture
Chapter 2. How Creative Is the “Playground”? Niconico, Piapro, and Dojin Circles
Part II: Supercell
Chapter 3. Supercell as a Creator Group
Chapter 4. Supercell’s Musical Works and Visibility in Social Media
Part III: Performance
Chapter 5. Hatsune Miku Fans’ Performative Acts
Coda
Notes
References
Index
Erscheinungsdatum | 18.08.2017 |
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Reihe/Serie | 33 1/3 Japan |
Zusatzinfo | 1 bw illus |
Verlagsort | New York |
Sprache | englisch |
Maße | 127 x 197 mm |
Gewicht | 259 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Kunst / Musik / Theater ► Musik ► Pop / Rock | |
Mathematik / Informatik ► Informatik ► Web / Internet | |
Naturwissenschaften | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 1-5013-2598-1 / 1501325981 |
ISBN-13 | 978-1-5013-2598-4 / 9781501325984 |
Zustand | Neuware |
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