Adorno and Modern Theatre

The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane

(Autor)

Buch | Hardcover
206 Seiten
2015 | 1st ed. 2015
Palgrave Macmillan (Verlag)
978-1-137-53446-0 (ISBN)

Lese- und Medienproben

Adorno and Modern Theatre - K. Gritzner
53,45 inkl. MwSt
Adorno and Modern Theatre explores the drama of Edward Bond, David Rudkin, Howard Barker and Sarah Kane in the context of the work of leading philosopher Theodor W. Adorno (1903-1969). The book engages with key principles of Adorno's aesthetic theory and cultural critique and examines their influence on a generation of seminal post-war dramatists.

Karoline Gritzner is Lecturer in Drama and Theatre Studies at Aberystwyth University, UK, and a core convenor of the Performance Philosophy network. She is the co-editor with David Ian Rabey of Theatre of Catastrophe: New Essays on Howard Barker (2006), the editor of Eroticism and Theatre in Theatre and Performance (2010), and co-editor with Will Daddario of Adorno and Performance (Palgrave, 2014).

1. Prologue: 'After Auschwitz': Survival of the Aesthetic 2. Adorno and Beckett: from the Crisis of Schein to the Fidelity to Failure 3. Edward Bond and the Aesthetics of Resistance 4. David Rudkin's Theatre of Myth 5. Howard Barker's Theatre of Desire 6. Sarah Kane or how to 'scrape a life out of the ruins' Epilogue: Adorno, Tragedy, and Theatre as Negation Bibliography Index

Erscheint lt. Verlag 17.9.2015
Zusatzinfo IX, 206 p.
Verlagsort Basingstoke
Sprache englisch
Maße 140 x 216 mm
Themenwelt Kunst / Musik / Theater Allgemeines / Lexika
Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Philosophie
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Naturwissenschaften
ISBN-10 1-137-53446-X / 113753446X
ISBN-13 978-1-137-53446-0 / 9781137534460
Zustand Neuware
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