Sam Shepard and the Aesthetics of Performance
Palgrave Macmillan (Verlag)
978-1-137-53057-8 (ISBN)
Emma Creedon has lectured at University College Dublin, Ireland and the National University of Ireland, Galway. She has also worked as a playwright and theatre director and her work has been published in the Journal of Contemporary Drama in English and Word and Text: A Journal of Literary Studies and Linguistics. Dr. Creedon was awarded her PhD from University College Dublin.
Introduction 1. Surrealism and Sam Shepard's Early Plays: 1964 1967 2. Myth, Ritual and a Search for Selfhood: Surrealism in Sam Shepard's Plays from 1969 to 1972 3. Sam Shepard's Family Plays and the Representation of Gender 4. A Comparative Study of Sam Shepard's Angel City (1976) and Luis Buñuel's and Salvador Dalí's Un chien andal ou (1929) 5. Tongues (1978), Savage/Love (1979) and The War in Heaven: Angel's Monologu e (1985): Joseph Chaikin and Sam Shepard in Collaboration 6. States of Shock (1991) and Simpatico (1994): Performances of Waste 7. Conclusion: Through the 1990s and Beyond
Erscheint lt. Verlag | 22.7.2015 |
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Reihe/Serie | What is Theatre? |
Zusatzinfo | XV, 199 p. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 140 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Film / TV | |
Kunst / Musik / Theater ► Theater / Ballett | |
Geisteswissenschaften ► Geschichte | |
Geisteswissenschaften ► Philosophie | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Naturwissenschaften | |
ISBN-10 | 1-137-53057-X / 113753057X |
ISBN-13 | 978-1-137-53057-8 / 9781137530578 |
Zustand | Neuware |
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