Disability and Art History
Routledge (Verlag)
978-1-4724-5352-5 (ISBN)
Ann Millett-Gallant is a Senior Lecturer for the Bachelor of Arts in Liberal Studies Program at the University of North Carolina at Greensboro. She holds a PhD in art history at the University of North Carolina at Chapel Hill, and her research focuses on representations of disability in art and visual culture. She is the author of two books, The Disabled Body in Contemporary Art and Re-Membering: Putting Mind and Body Back Together Following Traumatic Brain Injury, as well as a number of essays for academic journals. Prior to this volume, she has chaired several panels at academic conferences about and co-edited a special issue of the Review of Disability Studies on interdisciplinary art history and disability studies research. She also enjoys painting and drawing. Visit her website at annmg.com. Elizabeth Howie is Associate Professor of Art History at Coastal Carolina University in Conway, South Carolina. She received her PhD in art history at the University of North Carolina, Chapel Hill. Publications include "Proof of the Forgotten: A Benjaminian Reading of Daguerre’s Two Views of the Boulevard du Temple," in Walter Benjamin and the Aesthetics of Change: An Interdisciplinary Approach; "Bringing Out the Past: Courtly Cruising and Nineteenth-Century American Men’s Passionate Friendship Portraits," in Love Objects: Emotion, Design, and Material Culture; and a co-edited (with Ann Millett-Gallant) special issue of the Review of Disability Studies on interdisciplinary art history and disability studies research.
List of Figures
Notes on Contributors
Introduction
Chapter 1: Artists and Muses: Peter’s World and Other Photographs by Susan Harbage Page (Ann Millett-Gallant)
Chapter 2: Exploiting, Degrading, and Repellent: Against a Biased Interpretation of Contemporary Art about Disability (Nina Heindl)
Chapter 3: Nothing is Missing: Spiritual Elevation of a Visually Impaired Moche Shaman (Rebecca Stone)
Chapter 4: Divining Disability: Criticism as Diagnosis in Mesoamerican Art History (William Gassaway)
Chapter 5: Difference and Disability in the Photography of Margaret-Bourke-White (Keri Watson)
Chapter 6: Representing Disability in Post-World War II Photography (Timothy Hiles)
Chapter 7: The Disabled Veteran of World War I in the Mirror of Contemporary Art: the Reception of Otto Dix's Painting The Cripples (1920) in Yael Bartana’s Film Degenerate Art Lives (2010) (Anne Marno)
Chapter 8: Disabling Surrealism: Reconstituting Surrealist Tropes in Contemporary Art (Amanda Cachia)
Chapter 9: The Dandy Victorian: Yinka Shonibare’s Allegory of Disability and Passing (Elizabeth Howie)
Chapter 10: Crafting Disabled Sexuality: The Visual Language of Nomy Lamm’s Wall of Fire (Shayda Kafai)
Index
Erscheinungsdatum | 18.01.2017 |
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Reihe/Serie | Interdisciplinary Disability Studies |
Zusatzinfo | 65 Halftones, black and white; 65 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 566 g |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Studium ► Querschnittsbereiche ► Geschichte / Ethik der Medizin | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 1-4724-5352-2 / 1472453522 |
ISBN-13 | 978-1-4724-5352-5 / 9781472453525 |
Zustand | Neuware |
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