Maya 6: The Complete Reference

Helps readers discover how to use Maya to produce believable content for film and TV, video games, Web design, and print. This book shows how to create movement with path, nonlinear, or procedural animation, and use dynamics to run simulations of natural phenomena to create animation.

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Learn From the Maya Experts Who Create Special Effects for Today’s Blockbuster Movies

Discover how to use Maya to produce brilliant, believable content for film and TV, video games, Web design, and print. Maya instructors and special effects gurus Meade and Arima will show you everything you need to know to master Maya. Learn the entire production pipeline from easy-to-follow tutorials that will help you master modeling, texturing, animation, rendering, post-production, and much more.



Quickly understand core concepts of 3D production, and navigate the Maya interfaceCreate movement with path, nonlinear, or procedural animation, and use dynamics to run simulations of natural phenomena to create animationAdd realism with texturing, lighting, and renderingBuild controls to help you easily maneuver skeletonsModel hard surfaces and organic forms with NURBS, polygons, and subdivision surfacesApply post-production compositing applications such as After Effects, Combustion, and Shake
CD-ROM includes usable sample files that enhance the book’s tutorials

Tom Meade is a full-time Maya Instructor at The Academy of Art University in San Francisco. He has created 3D illustrations for Wired magazine and worked on numerous interactive CD-ROM games. For the past three years Meade has worked at 3D/FX training firm dvGarage, building video-based training products for the 3D market.

Shinsaku Arima is a Maya instructor and Visual FX artist. As a Trainer and Technical Director with ESC Entertainment, he did FX work on The Matrix: Revolutions. As FX Technical Director at The Orphanage, he has worked on The Day After Tomorrow and Sky Captain and the World of Tomorrow.

Alex Lindsay has worked in computer graphics for nearly 20 years. He did FX work on Star Wars: Episode I (at JAK Films and Industrial Light and Magic). Currently he is the Chief Architect of the Pixel Corps, a guild of media artists.