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Culture, Technology and the Image

Techniques of Engaging with Visual Culture

Jeremy Pilcher (Herausgeber)

Buch | Hardcover
158 Seiten
2020
Intellect Books (Verlag)
978-1-78938-111-5 (ISBN)
95,95 inkl. MwSt
Explores the technologies deployed when images are archived, accessed, and distributed. The chapters discuss the ways in which habits and techniques used in learning and communicating knowledge about images are affected by technological developments.
Culture, Technology and the Image explores the technologies deployed when images are archived, accessed and distributed. The chapters discuss the ways in which habits and techniques used in learning and communicating knowledge about images are affected by technological developments. The volume discusses a wide range of issues, including access and participation; research, pedagogy and teaching; curation and documentation; circulation and re-use; and conservation and preservation.



The book illustrates how knowledge about images is intertwined with the methods that are used to store, retrieve and analyse those images and the information associated with them. Focusing on the implications of technology for processes and practices brings into view the permeable nature of boundaries between such disciplines as art history, media studies, museum studies and archiving. As such, this text will appeal to a broad academic audience, including art historians interested in the digital; media studies scholars; digital humanities scholars interested in expanding beyond textual scholarship; as well as new students in any of these fields.

Jeremy Pilcher is a lecturer of law at the School of Law at Birkbeck, University of London. His research engages with the intersections of art and law.         

Introduction 

Jeremy Pilcher



1. Current research methodologies of scholars in the visual arts:

Toward an emerging model in image and text retrieval for the domain 

Catherine Larkin



Part I: Data generation 

2. From photogrammetry to Big Data: A case study of their possibilities

for digital art history 

Pedro Luengo

3. Imaging technologies applied to questions of authorship 

Nicholas Eastaugh



Part II: Knowledge presentation and visualization 

4. Time machines 

Stephen Boyd Davis

5. Vorsprung durch Technik: Multi-display learning spaces and

art-historical method 

Brett Bligh and Katharina Lorenz



Part III: Virtual museology 

6. Virtual museum: The concept and transformation 

Anna Bentkowska-Kafel

7. A field guide for analyzing the curation of online social networks of arts 

Almila Akdag Salah

8. The hyperimage: Toward a theory of expanded photography 

Alfredo Cramerotti



Conclusion: Technology | technique | transformation 

Jeremy Pilcher



Notes on contributors 

Index 

Erscheinungsdatum
Mitarbeit Sonstige Mitarbeit: Computers and the History of Art Group (CHArt)
Zusatzinfo 45 Halftones, black and white
Sprache englisch
Maße 170 x 244 mm
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Mathematik / Informatik Informatik
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-78938-111-8 / 1789381118
ISBN-13 978-1-78938-111-5 / 9781789381115
Zustand Neuware
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