Nobody's Business
Twenty-First Century Avant-Garde Poetics
Seiten
2013
Cornell University Press (Verlag)
978-0-8014-5157-7 (ISBN)
Cornell University Press (Verlag)
978-0-8014-5157-7 (ISBN)
The first book to treat the emergence of Flarf, Conceptual Poetry, and other genres of contemporary avant-garde poetry in a serious way.
Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody’s Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.
Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it.
Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody’s Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.
Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it.
Brian M. Reed is Professor of English at the University of Washington. He is the author of Phenomenal Reading: Essays on Modern and Contemporary Poetics and Hart Crane: After His Lights.
Preface: What Now?1. In Praise of Obsolescence2. New Consensus Poetics and the Avant-Garde3. Mechanical Form and Avant-Garde Aesthetics4. Flarf, Folly, and George W. Bush5. Andrea Brady's Peculiar Dissidence6. Danny Snelson’s Disco Operating SystemAcknowledgments
Notes
Index
Verlagsort | Ithaca |
---|---|
Sprache | englisch |
Maße | 155 x 235 mm |
Gewicht | 454 g |
Themenwelt | Literatur |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Mathematik / Informatik ► Informatik | |
ISBN-10 | 0-8014-5157-4 / 0801451574 |
ISBN-13 | 978-0-8014-5157-7 / 9780801451577 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Dichtung, Natur und die Verwandlung der Kräfte 1770-1830
Buch | Hardcover (2023)
De Gruyter (Verlag)
59,00 €