Unediting the Renaissance
Shakespeare, Marlowe and Milton
Seiten
1996
Routledge (Verlag)
978-0-415-10053-3 (ISBN)
Routledge (Verlag)
978-0-415-10053-3 (ISBN)
This work shows how much the texts of early modern authors have altered and rigidified over time. It also demonstrates how modern interpretations and performances of such works can be injected with new energy by a recognition of the possibilities closed off by modern standard editions.
Unediting the Renaissance is a path-breaking and timely look at the issues of the textual editing of Renaissance works. Both erudite and accessible, it will be a fascinating and provocative read for any Renaissance student or scholar.
Leah Marcus argues that `bad' versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as mutilated copies of originals, but rather reputable alternatives encoding differences in ideology, cultural meaning and other elements of performance. Marcus focuses on key Renaissance works- Dr Faustus, The Merry Wives of Windsor, The Taming of the Shrew, Hamlet and poems by Milton, Donne and Herrick - to re-exmaine how editorial intervention shapes the texts which are widely accepted as `definitive'.
Examining the cultural attitudes, fears and influences which influence textual editors, from the seveteenth century to the present day, Marcus sheds new light on a previously unexamined aspect of Renaissance studies. A lively critique of current theoretical practices, Unediting the Renaissance will shift the ways in which Shakespeare and his contemporaries are edited and read.
Unediting the Renaissance is a path-breaking and timely look at the issues of the textual editing of Renaissance works. Both erudite and accessible, it will be a fascinating and provocative read for any Renaissance student or scholar.
Leah Marcus argues that `bad' versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as mutilated copies of originals, but rather reputable alternatives encoding differences in ideology, cultural meaning and other elements of performance. Marcus focuses on key Renaissance works- Dr Faustus, The Merry Wives of Windsor, The Taming of the Shrew, Hamlet and poems by Milton, Donne and Herrick - to re-exmaine how editorial intervention shapes the texts which are widely accepted as `definitive'.
Examining the cultural attitudes, fears and influences which influence textual editors, from the seveteenth century to the present day, Marcus sheds new light on a previously unexamined aspect of Renaissance studies. A lively critique of current theoretical practices, Unediting the Renaissance will shift the ways in which Shakespeare and his contemporaries are edited and read.
Leah S.Marcus is Blumberg Centennial Professor in English at the University of Texas, Austin. Her previous books include Childhood and Cultural Despair, The Politics of Mirth and Puzzling Shakespeare.
1 INTRODUCTION: The blue-eyed witch 2 TEXTUAL INSTABILITY AND IDEOLOGICAL DIFFERENCE: The case of Doctor Faustus 3 PURITY AND DANGER IN THE MODERN EDITION: The Merry Wives of Windsor 4 THE EDITOR AS TAMER: A Shrew and The Shrew 5 BAD TASTE AND BAD HAMLET 6 JOHN MILTON’S VOICE
Erscheint lt. Verlag | 14.11.1996 |
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Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 520 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 0-415-10053-4 / 0415100534 |
ISBN-13 | 978-0-415-10053-3 / 9780415100533 |
Zustand | Neuware |
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