Shark Nursery (eBook)

The poems of The Shark Nursery respond to a disturbed world. The experience of lockdown, of lives lived in an online reality, and of the animal world are the interlocking parts of the poems' world. The animal poems draw on the tradition of animals in Irish poetry and myth. From the wolf's touch to the rat's tweet, animals and fish refuse the roles human beings impose on them. O'Malley's animals find new language in the face of contemporary perils. In fusing mythic with modern elements, The Shark Nursery is marked by rigorous attention to language and tone. Its poems weave between human, animal and metaphysical realms. In a space before noise begins, tigers visit cities and a white leopard sits on a lawn in Suburbia. In the strange, sealed off world portrayed in the 'The Ballad of Googletown' - an eerie, genuine ballad, where the familiar tropes and refrains of ballad are hung out to dry - lives are lived online and social interaction is unnecessary: The cars are in the drive And the bees are in the hive They say the kids are safe inside In Googletown This new book promises, as Joseph O'Connor has written, all those things 'we go to Mary O'Malley for: truthfulness, seriousness, playfulness, too, and then a particular sort of hesitating and hard-won wisdom, a pushback against nonsense or sentiment or fakery, the beauty of plain words placed in careful order, carefully - and always, the bliss of musicality.'

Mary O'Malley was born in Connemara in Ireland and educated at University College Galway. She lived in Lisbon for eight years and taught at Universidade Nova. She served on the council of Poetry Ireland and was on the Committee of the Cúirt International Poetry Festival for eight years. She was the author of its educational programme. She taught on the MA programmes for Writing and Education in the Arts at NUI Galway for ten years, held the Chair of Irish Studies at Villanova University in 2013, and has held Residencies in Paris, Tarragona, New York, NUI Galway, as well as in Derry, Belfast. She is active in environmental education, specifically marine. She is a member of Aosdána and has won a number of awards for her poetry, including the 2016 Arts Council University of Limerick Writer's Fellowship. She was the Trinity Writer Fellow at the Oscar Wilde Centre for 2019. She writes and broadcasts for RTÉ Radio regularly. In 2022 she was conferred with an Honourary Doctorate by University College Galway.

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The poems of The Shark Nursery respond to a disturbed world. The experience of lockdown, of lives lived in an online reality, and of the animal world are the interlocking parts of the poems' world. The animal poems draw on the tradition of animals in Irish poetry and myth. From the wolf's touch to the rat's tweet, animals and fish refuse the roles human beings impose on them. O'Malley's animals find new language in the face of contemporary perils. In fusing mythic with modern elements, The Shark Nursery is marked by rigorous attention to language and tone. Its poems weave between human, animal and metaphysical realms. In a space before noise begins, tigers visit cities and a white leopard sits on a lawn in Suburbia. In the strange, sealed off world portrayed in the 'The Ballad of Googletown' an eerie, genuine ballad, where the familiar tropes and refrains of ballad are hung out to dry lives are lived online and social interaction is unnecessary:The cars are in the driveAnd the bees are in the hiveThey say the kids are safe insideIn GoogletownThis new book promises, as Joseph O'Connor has written, all those things 'we go to Mary O'Malley for: truthfulness, seriousness, playfulness, too, and then a particular sort of hesitating and hard-won wisdom, a pushback against nonsense or sentiment or fakery, the beauty of plain words placed in careful order, carefully and always, the bliss of musicality.'