The Abandoners
On Mothers and Monsters
Seiten
2024
WW Norton & Co (Verlag)
978-1-324-07947-7 (ISBN)
WW Norton & Co (Verlag)
978-1-324-07947-7 (ISBN)
- Noch nicht erschienen (ca. November 2024)
- Versandkostenfrei innerhalb Deutschlands
- Auch auf Rechnung
- Verfügbarkeit in der Filiale vor Ort prüfen
- Artikel merken
An incisive collection about motherhood and creative life through the lens of mothers—in history, literature, and pop culture—who have abandoned their children.
What kind of mother abandons her child? It’s a question that conjures the worst kind of moral judgment. Yet during the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society’s condemnation and their own maternal instincts to leave their children—at will or due to economic or other circumstances. More than anything, she was fascinated by her own prejudice toward these women, so clearly tied up in a much wider cultural bias.
The Abandoners is sharp, at times slyly humorous, and always deeply empathetic. Using famous examples such as Ingrid Bergman, Muriel Spark, Doris Lessing, and Maria Montessori as well as fictional ones like Anna Karenina and the many roles of Meryl Streep, and interrogating modern trends like “momfluencers,” Gómez Urzaiz reveals what our judgement of these women tells us about our judgement of all women.
What kind of mother abandons her child? It’s a question that conjures the worst kind of moral judgment. Yet during the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society’s condemnation and their own maternal instincts to leave their children—at will or due to economic or other circumstances. More than anything, she was fascinated by her own prejudice toward these women, so clearly tied up in a much wider cultural bias.
The Abandoners is sharp, at times slyly humorous, and always deeply empathetic. Using famous examples such as Ingrid Bergman, Muriel Spark, Doris Lessing, and Maria Montessori as well as fictional ones like Anna Karenina and the many roles of Meryl Streep, and interrogating modern trends like “momfluencers,” Gómez Urzaiz reveals what our judgement of these women tells us about our judgement of all women.
Begoña Gómez Urzaiz is a freelance journalist living in Barcelona who writes frequently for outlets including La Vanguardia and El País. She teaches literary journalism in the master’s program at the Autonomous University of Barcelona. Lizzie Davis is an editor and translator whose recent projects include Juan Cárdenas’s The Devil of the Provinces, longlisted for the National Book Award.
Erscheint lt. Verlag | 12.11.2024 |
---|---|
Übersetzer | Lizzie Davis |
Verlagsort | New York |
Sprache | englisch |
Maße | 140 x 211 mm |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
ISBN-10 | 1-324-07947-9 / 1324079479 |
ISBN-13 | 978-1-324-07947-7 / 9781324079477 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Stories
Buch | Softcover (2024)
New Directions Publishing Corporation (Verlag)
14,95 €