Shakespeare Studies -

Shakespeare Studies

Buch | Hardcover
328 Seiten
2023
Fairleigh Dickinson University Press (Verlag)
978-1-68393-390-8 (ISBN)
114,70 inkl. MwSt
Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics, and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries, but embraces theoretical and historical studies of socio-political, intellectual and artistic contexts that extend beyond.
Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries, but embraces theoretical and historical studies of socio-political, intellectual and artistic contexts that extend well beyond the early modern English theatrical milieu. In addition to articles, Shakespeare Studies offers opportunities for extended intellectual exchange through its thematically-focused forums, and includes substantial reviews. An international Editorial Board maintains the quality of each volume so that Shakespeare Studies may serve as a reliable resource for all students of Shakespeare and the early modern period – for research scholars and also for teachers, actors and directors.

Volume 51 includes a Forum on the work of Michael D Bristol, with contributions from J. F. Bernard, Gail Kern Paster, James Siemon, Jill Ingram, Unhae Park Langis and Julia Reinhard Lupton, Anna Lewton-Brain and Brooke Harvey, Nicholas Utzig, and Paul Yachnin.

Volume 51 includes articles from the Next Generation Plenary of the Shakespeare Association of America and essays by Laurence Senelick ("A Gift to Anti-Semites: Shylock on the Pre-Revolutionary Russian Stage"), Christopher D'Addario ("Metatheater and the Urban Everyday in Ben Jonson's Epicoene and The Alchemist"), and Denise A. Walen ("Elbowing Katherine of Valois").

Book reviews consider eleven important publications on liberty of speech and female voice; theaters of catastrophe; adaptations of Macbeth; staging touch in Shakespeare's England; the criticism of Hugh Grady; Shakespeare and World War II film; Shakespeare and digital pedagogy; Shakespeare and forgetting; Shakespeare and disability studies, and Shakespeare's private life.

James R. Siemon is professor of English at Boston University. Diana E. Henderson is the Arthur J. Conner Professor of Literature at MIT.

Forum: For Mike Bristol

Big-Time Shakespeare, Calvin and Hobbes, and Sandy Koufax: How Michael Bristol Ruined My Life

J.F. Bernard

“I have drunk and seen the spider": Cognition, Affect, and the Carnivalesque in The Winter’s Tale

Gail Kern Paster

"Married in conjunction"? Shakespearean Conversations and Complications

James Siemon

Michael Bristol’s Heuristics of Carnival in London's Civic Pageantry

Jill Ingram

Shakespeare’s Virtues for Our Times

Unhae Park Langis and Julia Reinhard Lupton

Trauma-Informed "Vernacular Criticism" and Pedagogy: A Case Study of Shakespeare’s The Rape of Lucrece

Anna Lewton-Brain and Brooke Harvey

Shakespearean Jus Post Bellum: Ethical Ends to War in Henry V

Nicholas Utzig

Shakespeare's Gifts: Commerce, Conversation, Conversion

Paul Yachnin

Next Generation Plenary

Introduction

How to Do Things with Sweat

Beatrice Bradley

The Specter of Disability in Early Modern Drama

Evyan Dale Gainey

The Devil You Know: Anti-Black Racism and the Mythologies of English Witchcraft

Hannah Korell

Epicene: Female Revenge in the Husband-Taming Comedy

Bailey Sincox

Did Environmental Catastrophe Have a Renaissance?

John Yargo

Articles

A Gift to Anti-Semites: Shylock on the Pre-Revolutionary Russian Stage

Laurence Senelick

Metatheater and the Urban Everyday in Ben Jonson’s Epicoene and The Alchemist

Christopher D'addario

Elbowing Katherine of Valois

Denise A. Walen

Review Essay

Heather James, Ovid and Liberty of Speech in Shakespeare's England and Christina Luckyj, Liberty and the Politics of the Female Voice in Early Stuart England

Jenny C. Mann

Reviews

Richard Ashby, King Lear ‘After’ Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama

Martin Harries

William C. Carroll, Adapting Macbeth: A Cultural History and Garrett A. Sullivan, Jr. , Shakespeare and British World War II Film

Yu Jin Ko

Hugh Grady, Shakespeare’s Dialectic of Hope: From the Political to the Utopian

John Drakakis

Diana E. Henderson and Kyle Sebastian Vitale, eds., Shakespeare and Digital Pedagogy:

Case Studies and Strategies

Christie Carson

Peter Holland, Shakespeare and Forgetting

Garrett A. Sullivan, Jr.

Sonya Freeman Loftis, Shakespeare and Disability Studies

Justin P. Shaw

Alex MacConochie, Staging Touch in Shakespeare's England

Laura Seymour

Lena Cowen Orlin, The Private Life of William Shakespeare

Laurie Maguire

Erscheinungsdatum
Co-Autor J.F. Bernard, Beatrice Bradley, Christie Carson
Verlagsort Cranbury
Sprache englisch
Maße 159 x 236 mm
Gewicht 621 g
Themenwelt Literatur Essays / Feuilleton
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-68393-390-7 / 1683933907
ISBN-13 978-1-68393-390-8 / 9781683933908
Zustand Neuware
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