Into the Same Sound Twice
Seiten
2023
Seren (Verlag)
978-1-78172-705-8 (ISBN)
Seren (Verlag)
978-1-78172-705-8 (ISBN)
Zakia Carpenter-Hall's stunning debut Into the Same Sound Twice is a place where words, bodies and environments thrum with imagination and new music. Physical experiences and their expression in language, plunge us into a magical reality, a new kind of speculative poetics.
American poet Zakia Carpenter-Hall's stunning debut Into the Same Sound Twice is a place where 'the ordinary rules of motion' don't always apply. In the title poem, the narrator explains 'As a child I mixed up the words musician/ and magician'; what ensues are words, bodies and environments that thrum with new music. Carpenter-Hall asks us, 'Could I be the Instrument?'
This collection pays close attention to sound as well as movement. In language that is at once precise and tender, Carpenter-Hall leads us into rituals of care, ancestral memory, a rainbow that coruscates and various forms of rupture and repair.
Borders can become meaningfully blurred. In 'Shakespeare Honours My Grandmother', a play's burial scene merges with a funeral taking place four-thousand miles away. The language of dramaturgy is then used to describe both. 'Big Talk' counters the unfathomable vastness of space with the sensuality of a kiss. The collection creates its own multi-sensory language and landscape.
A tour-de-force sequence, 'The Earth-Eating Fire', is a reflection on wildfires all over the world, from California to Australia. The poem considers how human beings impact the outside world and vice versa in a way that's both hauntingly delicate and powerful. Captured in these poems - both intimate and vast - is the sense of how much we do not know, how much there still is to be achieved - but sometimes the body, rhythm and poetry itself can be a conduit.
American poet Zakia Carpenter-Hall's stunning debut Into the Same Sound Twice is a place where 'the ordinary rules of motion' don't always apply. In the title poem, the narrator explains 'As a child I mixed up the words musician/ and magician'; what ensues are words, bodies and environments that thrum with new music. Carpenter-Hall asks us, 'Could I be the Instrument?'
This collection pays close attention to sound as well as movement. In language that is at once precise and tender, Carpenter-Hall leads us into rituals of care, ancestral memory, a rainbow that coruscates and various forms of rupture and repair.
Borders can become meaningfully blurred. In 'Shakespeare Honours My Grandmother', a play's burial scene merges with a funeral taking place four-thousand miles away. The language of dramaturgy is then used to describe both. 'Big Talk' counters the unfathomable vastness of space with the sensuality of a kiss. The collection creates its own multi-sensory language and landscape.
A tour-de-force sequence, 'The Earth-Eating Fire', is a reflection on wildfires all over the world, from California to Australia. The poem considers how human beings impact the outside world and vice versa in a way that's both hauntingly delicate and powerful. Captured in these poems - both intimate and vast - is the sense of how much we do not know, how much there still is to be achieved - but sometimes the body, rhythm and poetry itself can be a conduit.
Zakia Carpenter-Hall is a writer, tutor and critic. She was a winner of Poetry London's inaugural mentoring scheme, a London Library Emerging Writer and a Jerwood Bursary Recipient. She's been a Poet in Residence with The Scottish Poetry Library in partnership with Africa in Motion and Obsidian Foundation. She's a PhD candidate at Royal Holloway, University of London.
Erscheinungsdatum | 17.05.2023 |
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Zusatzinfo | n/a |
Verlagsort | Bridgend |
Sprache | englisch |
Maße | 138 x 216 mm |
Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
ISBN-10 | 1-78172-705-8 / 1781727058 |
ISBN-13 | 978-1-78172-705-8 / 9781781727058 |
Zustand | Neuware |
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Buch | Hardcover (2023)
C.H.Beck (Verlag)
28,00 €