Ada Langworthy Collier, an author of the postbellum period, delves into the arcane reservoirs of rabbinical legend to frame her narrative. Inscribed between the lines of 'Lilith' is a subtext of feminist advocacy, perhaps reflective of Collier's own historical context, where women were advocating for greater autonomy and recognition. By placing Lilith at the heart of a story about primordial motherhood, Collier subtly defies the patriarchal underpinnings of the era's theology and literature. The narrative presents a bold deviation from the cultural norm, echoing the societal shifts occurring around Collier, whilst exploring themes of independence and agency.
'Lilith, The Legend of the First Woman' emerges as a pioneering work, recommended for readers with an interest in feminist literature, religious mythology, and historical reinterpretation. Collier invites her audience to journey through a narrative wilderness that challenges traditional paradigms and celebrates the resilience of maternal love. The book will be particularly engaging for those who appreciate literary creativity and are captivated by the enduring power of ancient tales retold through the insightful lens of more contemporary sensibilities. In its pages lies a testament to the undying human fascination with legends and the timeless quest to redefine our understanding of them.
Ada Langworthy Collier (1843-1919) was an American poet and writer whose work offers a nuanced exploration of 19th-century womanhood and spirituality. Born in Dubuque, Iowa, Collier's literary voice was cultivated through her upbringing in an era steeped in the transformative movements of abolitionism and women's suffrage. Among her literary contributions, her best-known work, 'Lilith' (1885), stands out for its daring portrayal of the titular figure from Jewish mythology. In this piece, Collier delves into themes of femininity, rebellion, and redemption, which was a departure from the commonly passive female characters of the period's literature. 'Lilith' encapsulates Collier's affinity for rich, evocative imagery and her skillful use of lyrical verse to challenge and articulate the complexities of female autonomy and identity. Although not as widely recognized as her contemporaries, Collier's work remains a testament to her ability to weave a narrative that transcends her time, echoing the broader literary style of romantic gothic and the pre-Raphaelite aesthetic prevalent among progressive late 19th-century writers. Her contributions to American poetry, though underappreciated in mainstream literary canon, continue to be of scholarly interest for their representation of a transitional period in both literary form and social consciousness (Laffrado, 2004).
Erscheint lt. Verlag | 13.11.2022 |
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Verlagsort | Prague |
Sprache | englisch |
Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
Schlagworte | 19th century poets • Ada Langworthy Collier • Bible • classic poetry collections • female poets • inspirational poetry • Leaves of Grass • Lyrical poetry • milk and honey • mythological poetry • Mythos • Paradise Lost • pierre alex jeanty • poetic literature • religious verse • spiritual poems • The Decameron • The Divine Comedy • the odyssey • The Prophet |
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