Thornhedge (eBook)
128 Seiten
TITAN BOOKS (Verlag)
978-1-80336-426-1 (ISBN)
T. Kingfisher is the adult fiction pseudonym of Ursula Vernon, the multi-award-winning author of Digger and Dragonbreath. She is an author and illustrator based in North Carolina who has been nominated for the Ursa Major Award, the Eisner Awards, and has won the Nebula Award for Best Short Story for 'Jackalope Wives' in 2015 and the Hugo Award for Best Novelette for 'The Tomato Thief' in 2017. Her debut adult horror novel, The Twisted Ones, won the 2020 Dragon Award for Best Horror Novel, and was followed by the critically acclaimed The Hollow Places.
1
In the early days, the wall of thorns had been distressingly obvious. There was simply no way to hide a hedge with thorns like sword blades and stems as thick as a man’s thigh. A wall like that invited curiosity and with curiosity came axes, and it was all the fairy could do to keep some of those curious folk from gaining entrance to the tower.
Eventually, though, the brambles had grown up around the edges—blackberry and briar and dog rose, all the weedy opportunists—and that softened the edge of the thorn wall and gave the fairy some breathing room. Roving princes and penniless younger sons had been fascinated by the thorns, which were so obviously there to keep people out. Hardly anybody was interested in a bramble thicket.
It helped, too, that the land around the thorns became inhospitable. It was nothing so obvious as a desert, but wells ran dry practically as soon as they had been dug, and rain passed through the soil as if it were sand instead of loam. That was the fairy’s doing, too, though she regretted the necessity.
The fairy was the greenish-tan color of mushroom stems and her skin bruised blue-black, like mushroom flesh. She had a broad, frog-like face and waterweed hair. She was neither beautiful nor made of malice, as many of the Fair Folk are said to be.
Mostly she was fretful and often tired.
“How do they know?” she asked miserably. “Everyone who knew her should be dead of old age by now—them and their children, too! Their grandchildren should be gray-haired. How do they even remember there’s a tower here?”
She was talking, more or less, to a white wagtail, a little bird that liked short grass and pumped its tail constantly as it walked. Wagtails were not so clever as rooks or jackdaws or carrion crows, but the fairy liked them. They did not make fun of her like the crows would, nor carry tales the way that the rooks did.
The wagtail scurried closer, pumping its tail up and down.
“They must be telling stories,” said the fairy hopelessly. “About a princess in a tower and a hedge of thorns to keep the princes out.”
She wiped her eyes. She knew that her eyelids were turning blue-black in response to the unshed tears.
There was no one to see her except the wagtail, but she pinched the bridge of her nose and tilted her head back anyway. The old habits were still with her.
“I can’t fight stories,” she whispered, and a few tears, dark as ink, ran down her face and tangled in her hair.
But time did pass and perhaps the stories were told less often. Fewer men came to the thorn hedge with axes. The wagtails left, because they preferred open country, and the fairy was sorry to see them go. Jays moved in, flitting through the thorns and blistering the air with their scolds. They were shy and spooked easily, for all their cursing. The fairy recognized kindred spirits, as she still spooked easily herself.
As the years trickled away and the thorns filled with dog roses, her soul grew easier. There were stones inside her heart that would never stop grinding together, but they did not weigh so heavily in the years when no princes came.
The fairy was filled with dread when she heard the ringing of nearby axes. She crouched in the brambles, toad-shaped, motionless, thinking, What will I do if they come nearer?
But they did not come nearer. They cut a road through the woods but gave the brambles a wide swath. The tower had been built on a rocky hill—a good, defensible place for a castle, but not a good place for a road. The axe bearers cut south instead, in a long curve, over what had once been fields held by the plow.
The fairy was afraid for a long time that the coming of the road would mean the coming of more princes and younger sons, but mostly what it brought were merchants and travelers. None seemed interested in forcing their way through a massive bramble thicket, and perhaps none of them made the connection about how much land the brambles covered, or stopped to wonder what such a dense growth might conceal.
She watched the travelers with interest, for those were the only human faces—save one—that she saw. They were so very different, in so many different shapes and colors. Pale, fair-haired men striding down from the north and dark-skinned men in beautiful armor riding in on horses from the east. Men in caravans who looked like the old royal family, serfs and peasants in homespun, the Traveling Folk in their wagons—a great cross section of humanity who would pass one another on the road and nod and sometimes stop and speak in unfamiliar languages.
(One of the few kind gifts given to and by the Fair Folk is the ability to speak any of the languages of the earth. The fairy could understand what they were saying, but while the words were familiar, the rest was not. She did not recognize the names of the cities they spoke of, nor the kings nor caliphs, and the details of taxation and trade law were beyond her.)
The tide of people grew and grew, and a trade house went up a few miles away. The fairy could see the smoke of it in the sky. She knotted her fingers together and huddled under the thorn hedge to escape the gnawing fear.
“Let them not come,” she prayed. She had been told that the Fair Folk were without souls, and probably that applied to her as well, a befuddled creature betwixt and between. Still, just in case, she prayed. “Let them not come here. Let them not clear the thorns. I do not know how many of them I can hold off. Please keep them away. Um. Amen.”
She added the last worriedly, not sure if that made it a prayer or if she was supposed to be doing something else. The royal family’s priest had been reasonably accepting of her presence, but that tolerance had not extended to teaching her how to make a prayer correctly.
Perhaps something heard her prayer. The flow of people slowed to a trickle. The merchants stopped coming. The fairy saw only a few people. There were men in great birdlike masks and dark, tightly fitted clothes that gleamed with wax. They strode by like herons, like birds of prey, and the fairy cowered away from them. There was something about the masks that were too much like the faces of the elder Fair Folk.
Even so, she preferred the bird-men to the screamers. They traveled in groups, half-naked, shrieking like animals. Sometimes they struck themselves with ropes of thorns, howling as the blood flowed, then cackling with laughter. They stank of madness. One ran a little way into the brambles, tearing his skin on the thorns, and then staggered out again.
The fairy, toad-shaped, waited until the rains had come and gone before she came near those brambles again. Whatever madness had infected the screamers, she would not risk contact with it.
After a time, there were neither bird-men nor screamers. There was no one at all. The road filled with weeds.
The fairy, who had been afraid of humans, now began to miss them. Not the screamers or the bird-men, but the others who had come before. They had been company of a sort, even if they did not know she was there.
She slept more and more. The jays stole shiny things from each other’s nests but found no new ones.
The seasons chased one another, and a day came when she heard hoofbeats. Men coming from the east, on their fine-boned horses, riding down the ruined road. They wore no armor. There were two bird-men in their midst, also on horses, and they were riding hard as if afraid.
After that, the floodgates opened. Men and women came streaming from the east, and then back from the west, on horses and on foot, in wagons and caravans. Sometimes they rode with knights carrying banners with red crosses on them.
When they spoke to each other, she heard words like plague and graves and so many dead.
The fairy curled into a ball and wept for the dead, and yet a tiny, nagging voice said, Perhaps the story of the tower will die with them.
It was a terrible thing to be glad that whole cities had died. It must be true, thought the fairy bleakly. I must not have a soul, to be relieved even a little. And she cried even more, until the ground was black with tears.
The weeds were trampled down again, in time, and the traffic became more normal. The style of clothing changed and changed again, and the Traveling Folk came again in their wagons, and still no one ventured into the brambles for a long, long time.
* * *
It was many years later that a knight came up to the edge of the hedge and stood there, gazing inward. The fairy was broadly aware when people came too near the hedge, with a sensation like a mosquito on her skin. This one stung and she crept toward it, first toad-shaped, then woman-shaped, seeking the source.
She found a campfire, and the knight camped beside it. It was not yet full dark, and he stood with his back to the flame, looking at the brambles.
The fairy did not like that look. It had too much behind it. He was actually looking at the thorn hedge and thinking about it, and that might lead to questions about what was on the other side.
Go away, she thought. Go away. Quit looking. They can’t be telling stories, not now. It’s been so long . . .
Eventually he turned back to the fire. The fairy crept closer.
By the make of his...
Erscheint lt. Verlag | 15.8.2023 |
---|---|
Verlagsort | London |
Sprache | englisch |
Themenwelt | Literatur ► Fantasy / Science Fiction ► Fantasy |
Literatur ► Historische Romane | |
Literatur ► Märchen / Sagen | |
Literatur ► Romane / Erzählungen | |
Schlagworte | A Deadly Education • Alix E Harrow • A Mirror Mended • Ariadne • A Spindle Splintered • Christina Henry • Circe • Classic reimagining • classic retelling • Disney Princess • Elektra • Fairy tale • Fairytale • fairytale retelling • Fairy Tale Retelling • For the Throne • For the Wolf • Genevieve Gornichec • Hannah Whitten • How To Be Eaten • Jennifer Saint • katharine arden • Lore Olympus • Lucy Holland • Madeline Miller • Maria Adelmann • modern fairy tale • Naomi Novik • Nettle & Bone • nicola griffith • Sara A. Mueller • Sistersong • Song of Achilles • Spear • Spinning Silver • The Bear and the Nightingale • The Bone Orchard • The House In The Cerulean Sea • the princess bride • The Witch's Heart • T.J. Klune • Uprooted |
ISBN-10 | 1-80336-426-2 / 1803364262 |
ISBN-13 | 978-1-80336-426-1 / 9781803364261 |
Haben Sie eine Frage zum Produkt? |
Größe: 1,4 MB
DRM: Digitales Wasserzeichen
Dieses eBook enthält ein digitales Wasserzeichen und ist damit für Sie personalisiert. Bei einer missbräuchlichen Weitergabe des eBooks an Dritte ist eine Rückverfolgung an die Quelle möglich.
Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belletristik und Sachbüchern. Der Fließtext wird dynamisch an die Display- und Schriftgröße angepasst. Auch für mobile Lesegeräte ist EPUB daher gut geeignet.
Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür die kostenlose Software Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür eine kostenlose App.
Geräteliste und zusätzliche Hinweise
Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.
aus dem Bereich