Old God's Time (eBook)

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2023 | 1. Auflage
300 Seiten
Faber & Faber (Verlag)
978-0-571-33280-9 (ISBN)

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Old God's Time -  Sebastian Barry
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SHORTLISTED FOR THE DUBLIN LITERARY AWARD 2024 LONGLISTED FOR THE BOOKER PRIZE 2023 THE SUNDAY TIMES TOP TEN BESTSELLER TWICE WINNER OF THE COSTA BOOK OF THE YEAR A FINANCIAL TIMES, TIMES, AND IRISH TIMES BEST BOOK OF THE YEAR 'A masterpiece' Sunday Times 'Stunning' LIZ NUGENT 'Extraordinary' Irish Times Tom Kettle, a retired policeman, and widower, is settling into the quiet of his new home in Dalkey, overlooking the sea. His solitude is interrupted when two former colleagues turn up at his door to ask about a traumatic, decades-old case. A case that Tom never quite came to terms with. And his peace is further disturbed when his new neighbour, a mysterious young mother, asks for his help. A beautiful, haunting novel, in which nothing is quite as it seems, Old God's Time is an unforgettable exploration of family, loss and love. 'A wonderful, brutal, utterly compelling book . . . Barry is the most miraculous writer.' Russell T Davies 'To borrow a word that recurs in its pages, it is stupendous, in the sense that it shocks and astonishes.' Irish Times Rare indeed are those novels worth cherishing and keeping close. Old God's Time is one of them.' DailyTelegraph 'So captivating . . . it will live long in the minds of its readers.' Independent WHAT READERS ARE SAYING: ***** 'A beautiful family love story. It will haunt you and break your heart.' ***** 'Deeply felt and so moving. I will be reading this again.' ***** 'A tragic tale beautifully told. Sebastian Barry is one of the great contemporary writers.' ***** 'Absolute perfection in novel form.' ***** 'Deeply tragic. Deeply humorous. Utterly beautiful. I'm in awe.' ***** 'A writer in possession of something divine . just exceptional.' ***** 'Magically transporting . the balance of extreme grief and joy are perfectly expressed.'

Sebastian Barry was born in Dublin in 1955. The 2018-21 Laureate for Irish Fiction, his novels have twice won the Costa Book of the Year award, the Independent Booksellers Award and the Walter Scott Prize. He had two consecutive novels shortlisted for the Man Booker Prize, A Long Long Way (2005) and the top ten bestseller The Secret Scripture (2008), and has also won the Kerry Group Irish Fiction Prize, the Irish Book Awards Novel of the Year and the James Tait Black Memorial Prize. He lives in County Wicklow.
SHORTLISTED FOR THE DUBLIN LITERARY AWARD 2024LONGLISTED FOR THE BOOKER PRIZE 2023THE SUNDAY TIMES TOP TEN BESTSELLERTWICE WINNER OF THE COSTA BOOK OF THE YEARA FINANCIAL TIMES, TIMES, AND IRISH TIMES BEST BOOK OF THE YEAR'A masterpiece' Sunday Times'Stunning' LIZ NUGENT'Extraordinary' Irish TimesTom Kettle, a retired policeman, and widower, is settling into the quiet of his new home in Dalkey, overlooking the sea. His solitude is interrupted when two former colleagues turn up at his door to ask about a traumatic, decades-old case. A case that Tom never quite came to terms with. And his peace is further disturbed when his new neighbour, a mysterious young mother, asks for his help. A beautiful, haunting novel, in which nothing is quite as it seems, Old God's Time is an unforgettable exploration of family, loss and love. 'A wonderful, brutal, utterly compelling book . . . Barry is the most miraculous writer.' Russell T Davies'To borrow a word that recurs in its pages, it is stupendous, in the sense that it shocks and astonishes.' Irish TimesRare indeed are those novels worth cherishing and keeping close. Old God's Time is one of them.' DailyTelegraph'So captivating . . . it will live long in the minds of its readers.' IndependentWHAT READERS ARE SAYING:***** 'A beautiful family love story. It will haunt you and break your heart.'***** 'Deeply felt and so moving. I will be reading this again.'***** 'A tragic tale beautifully told. Sebastian Barry is one of the great contemporary writers.'***** 'Absolute perfection in novel form.'***** 'Deeply tragic. Deeply humorous. Utterly beautiful. I'm in awe.'***** 'A writer in possession of something divine . just exceptional.'***** 'Magically transporting . the balance of extreme grief and joy are perfectly expressed.'

Amazing ... For page after page, I found myself thinking, how does he do that?

'Barry writes about unconditional love better than anyone I have ever read. Ever.'

Barry is the laureate of empathy.

His work reminds us how much we need these rare gifts of the natural storyteller.

'A meditative, mournful masterpiece.'

'Rare indeed are those novels worth cherishing and keeping close. Sebastian Barry's Old God's Time is one of them.'

One of Sebastian Barry's extraordinary gifts as a writer is his boundless capacity for empathy.

Barry writes about unconditional love better than anyone I have ever read. Ever.

'Nobody writes like, nobody takes risks like, nobody pushes the language, and the heart, and the two together, quite like Sebastian Barry does.'

'A book of aching and sorrow written with an ear to the poetry of common words from the master of the form. I didn't want it to end, I very much wanted it to end. I was worried and exhilarated in equal measure. In short, I loved it.'

Well, there was nothing else for it. Just as the Welsh rabbit was mooted, with a surprising degree of appreciation – ‘That’d be fucking delicious,’ Wilson said, ‘excusing my French’ – the storm added to its wretched fervour in an attempt to turn the coast of Dalkey into the foot of Cape Horn. Wilson didn’t say anything about it directly, but the storm was in the room, sound-wise. He was staring, with the wide, moist eyes of a mere child. Not staring at anything, just staring. Like the storm frightened him. Tom suddenly felt fatherly towards him. Senior officer. He felt he was obliged – and he was, of course he was, though he might well regret it – to accommodate them for the night.

As he melted the Welsh rabbit he was content that neither of the boys came to assist him. The grill was a mystery unto itself. Like a damp, evil grotto. He was always meaning to get down on his knees and get at it with a cloth and a lash of soap, but maybe the horrors were best left alone, after all this time. Years ago he might have thoughtlessly lifted a bit of the grease with a knife and spread it on his bread, but never now, as he had no wish to awaken another ulcer. Let sleeping ulcers lie, without grease to stir them into life. The lack of oven cleaning was just one of those original sins that bothered him as an undercurrent to his passages through the kitchen. He felt he owed it to Mr Tomelty somehow, but that wasn’t a clear thought. And Winnie might give him an awful stare about such things into the bargain. Including ‘the state of the jacks’, as she put it. ‘Could you not keep a bottle of bleach handy?’ she would say, in her hopeless, loving tone. But well he knew how little the pollock, the eels and the sand dabs would appreciate bleach, and wasn’t every bit of moisture he produced in the flat going down the pipes and under the garden and straight out into the murderous waters at the back? It was bad enough that they had to swim through everything else. Turds and whatnot, God knew. When Winnie swam off the little concrete jetty, the rare time, she called it ‘going through the motions’. Oh she was witty, she was clever. College. Law degree. His pride. She flamed through the first year, her mother died, she emptied out somehow, she pushed on emptily, she graduated, dressed in her finery, in her grief. It was as if she needed nothing then because she had nothing. Nothing but himself and Joseph, and the same Joseph soon to be far away. The only thing she ever mentioned after that was a husband, as in, she did not have one. Perhaps that was a small thing.

Wilson ate his rabbit with the trust of a man who had never looked into the grill. O’Casey approached it more circumspectly. His instincts were more honed, Tom thought, watching him, with a feeling bordering on fondness. Even commiseration. The younger man sniffed it delicately, smiling so as to give no offence to the chef.

‘Arra,’ he said, ‘not so bad, Mr Kettle …’

He whitened a little, but set into it manfully.

Winnie had never risen to an actual compliment about his cooking because truth to tell it wasn’t cooking. Sustenance, survival, at best. He wondered briefly would they have been as kind about the lump of cold hash in the weeping pot – winter was condensing, interestingly, from a scientific point of view, on its outer aluminium walls. Praise always roused in him an inconvenient sense of ambition for further heights. Even praise laced with irony. Ridiculous. The Welsh rabbit was a childish dish, although in his own youth Easi-Singles had not yet been invented, much less the anaemic shovel-blades of bread which the yellow squares had obediently melted on. It was a very uncheeselike yellow, God’s truth. Not so long ago he had penetrated bravely into the National Gallery. He was of the opinion that retired men should try and broaden their minds, so calcified by narrow work and general shrinkage. Anyway, he had the Free Travel Pass and it seemed churlish not to use it now and then. So in he scooted just the odd time to town, forsaking his solitude, in search of amplitude, of healing even, on the 8 bus. He had wandered about the labyrinth of sombre paintings, through the deserted marble halls, awed, diminished and silenced – he had to point himself discreetly into an alcove to belch, after a beef sandwich in Bewley’s – and eventually came by chance on a tiny picture. You came on everything good by chance. He liked it for its modesty among the bigger efforts. Like a human soul should be in the world, among elephants, galaxies. A miniature ‘rural scene’. Pissarro, said the label. And he stared at it, feeling a sudden furious gratitude, his mind entered by thoughts of France and the French countryside, where he had never been, wondering what the curious molten yellow of a little square wheat field reminded him of – he was back down on Merrion Square before it hit him. Easi-Singles. He had considered his mind duly broadened.

Oh, then on to his real favourite, the Natural History Museum further up the square. The ribs and bones of the Great Irish elk that roamed no more in Ireland, the blue whale suspended above in its own great corset of bones, the ironwork of the stairs and upper galleries like the vast skeleton of an even bigger whale, all about and above him, a whale inside a whale then, making of him a double Jonah – oh blessed, sacred place.

O’Casey, confessing to an ulcer himself, rose immediately after finishing the Welsh rabbit and stood at the beauty board, leaning against it in alarm – you could see it buckling slightly – his face turned away as if in disgrace, like a punished scholar. His right hand went to his forehead and he seemed to be sweating. ‘What’s the what’s-a?’ he muttered, in an orgy of growing suffering. And he fluttered his right hand on his forehead, in a continuous display, as if his hand were going to take off, catastrophically, like a one-winged pigeon. Then he spent the following half-hour in the jacks, which is a long time in another person’s toilet, somehow. As Mr Tomelty’s builders had not gone to town on the thickness of the walls, his distress and battle stations were clear throughout. There were groans and almost savage expostulations, and O’Casey’s god was summoned to assist him. For this half-hour, as the winds battered the castle, and the rain sat upright on the windowpanes, Wilson smiled and hemmed, and laughed aloud now and then, perfectly at his ease, his stomach full. Tom was entranced again – he liked friendship expressed openly. They were like soldiers in a trench, he thought, everything raw and out in the open, bare humanity. Yes, it thrilled him. He exulted suddenly again in the presence of these young men, much as he feared them and their words. The mateyness between Wilson and O’Casey, proven now in the cauldron of the one’s distress, the caldera rather, the poor man’s guts surging with the lava of the Welsh rabbit, put Tom again on the cusp of weeping. Could he speak of love, could he speak of the saving graces of men? No, speechifying was not a feature of this moment, or any, or few, among mere males. He must accept that, reluctantly. Instead, he fetched an old tin of stomach powders he had used himself in such extremities, and handed it in, just the one hand and the tin thrust through the door, not violating O’Casey’s important privacy. The tin was taken delicately, not violently, like a well-trained dog taking a morsel from human fingers.

In a while there was a final explosion, then a dramatic crying out, then a silence, then the chain solemnly flushed. O’Casey, pale, altered, trembling from his glad release from pain, walked slowly back into the room, Wilson beaming and nodding, O’Casey throwing the whole thing off with humility and grace. And Tom, feeling suddenly a little removed from their nice accord, maybe as a consequence of his age, wandered off into his bedroom to fetch the lilo from the little cupboard. This item of furniture had belonged to some simple cottage, he was sure, a rough, local artefact that had never seen a shop. The insides of the doors were covered in newspaper from August 1942, with advertisements for fascinators and fedoras, and war news, democratically, and now redundantly, featured. Only the passing spiders and clothes moths, and his distracted gaze, could read it now. The lilo was Winnie’s bed when she visited and he was well used to fitting it out with her cut-down sheets and a feather pillow in an impressively embroidered case, the work of yet another unknown rural hand. The best things in Ireland were the work of unknown hands. And oftentimes the worst crimes.

He wasn’t sure what O’Casey and Wilson could do with just one lilo, but there was always the short couch at a pinch, and because indeed he felt some panic over this, and a sense of crisis as a host, he placed the lilo and the sheets and the pillow in a little heap, and nodded his head with the sagacity of Archimedes, as if it were clear to all that everyone was accommodated, though he didn’t think they were. But he had done his best, his best, and he had put the grub into them, and now he had grown weary, weary, and with a few last words as simple and worn as old pennies he went to his doss. He was up the few times in the night, what with the dicky bladder, but otherwise slept like Dracula in his clay.

*

...

Erscheint lt. Verlag 28.2.2023
Verlagsort London
Sprache englisch
Themenwelt Literatur Historische Romane
Literatur Romane / Erzählungen
Schlagworte Anne Enright • A Town Called Solace, Mary Lawson • colm toibin • Costa Book of the Year • days without end • The Road, Cormac McCarthy • The Secret Scripture
ISBN-10 0-571-33280-3 / 0571332803
ISBN-13 978-0-571-33280-9 / 9780571332809
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