The Playwright's Manifesto
Methuen Drama (Verlag)
978-1-350-20429-4 (ISBN)
A manifesto for the future of playwriting, this book challenges you to be a part of that future in the belief that it is fundamentally important to write plays. Plays help us understand ourselves, others, and the world around us. Reading this book, you will be challenged to learn your craft, explode what you know, prioritise what is important to you, and write in the way that only you can write.
Most books on playwriting explain how to create a believable character in a story driven by plot. This book, however, goes even further in its exploration of the playwright’s most valuable tool: theatricality. By learning from the past, and the present, the playwrights of tomorrow can create new, vivid, theatrical drama for the future.
This manifesto also examines the process of writing, the art of collaboration, and the impact of writing on a playwright’s mental health. It identifies the highs and lows, as well as the trials and tribulations, of life as a playwright in today’s world. Theatre is a living artform. It is time for playwrights to acknowledge that fact and to celebrate the unique, primal thrill that a live theatre experience offers us. The future of playwriting is in your hands. Do you accept the challenge?
Paul Sirett is an award-winning playwright, dramaturg, musician and teacher. His theatrical works include the Olivier-nominated The Big Life (with Paul Joseph) at Theatre Royal Stratford East & West End, Rat Pack Confidential at Nottingham Playhouse & West End, and Come Dancing (with Ray Davies) at Stratford East. Other works include Bad Blood Blues (Theatrescience and Stratford East) and Worlds Apart (Stratford East), Reasons to be Cheerful (Graeae Theatre Company - published by Methuen Drama), and plays for Soho Theatre; Polka Theatre; Yellow Earth Theatre; Live Theatre, Newcastle; New Wolsey, Ipswich; Dukes, Lancaster; and the Edinburgh Fringe. Awards include, Best Off-West End Musical, Whatsonstage; Best Play, Pearson; Best Production, City Life; Best Writer & Best Play, New York International Radio Festival; and nominations for TMA, Evening Standard and Olivier awards. Paul has also worked extensively as a dramaturg for companies including the Royal Shakespeare Company, Soho Theatre, Ambassador Theatre Group, Trafalgar Entertainment, the Royal Court, and the National Theatre. He is currently an Associate Artist of Soho Theatre, Associate Fellow at the University of Warwick, Literary Associate at Trafalgar Entertainment, and Associate Teacher of the Royal Academy of Dramatic Art where he teaches playwriting and dramaturgy.
Acknowledgements
Preface by Jenny Sealey, MBE
Prologue
PART ONE
1.1 Write Plays
1.2 Write What is Important to You
1.3 Write like Only You can Write
1.4 Stand on the Shoulders of Giants
PART TWO
2.1 It isn’t Natural(ism)
2.2 Tear Down the Fourth Wall
2.3 Dramatic Structure is not a Scientific Law
2.4 You do Not Need to Know Everything About your Characters
2.5 You are a Dramatic Poet
2.6 Get Musical
2.7 Get Physical
2.8 Think Big
2.9 Shock, Break and Provoke
2.10 Write a Postdramatic Play
2.11 Write Accessibly
PART THREE
3.1 How to Write
3.2 Theatre is Collaboration
3.3 Take the business of Being a Playwright Seriously
3.4 Look After your Mental Health
3.5 You are the Future of Playwriting
Epilogue
Reasons to be a Playwright
Notes 253
Bibliography
| Erscheinungsdatum | 24.08.2022 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 1-350-20429-3 / 1350204293 |
| ISBN-13 | 978-1-350-20429-4 / 9781350204294 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
