Hamlet, Prince of Denmark
Seiten
2003
|
Updated edition
Cambridge University Press (Verlag)
978-0-521-82545-0 (ISBN)
Cambridge University Press (Verlag)
978-0-521-82545-0 (ISBN)
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For this second edition, Robert Hapgood has added a section on recent critical approaches to Hamlet as well as contemporary film and stage productions. He focuses on actors in the Hamlet role and on directors, and stresses the role of remembering and forgetting. Feminist and performance studies are also discussed.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare's most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet's full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare's most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet's full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play.
Introduction, with new section on recent stage and critical interpretations by Robert Hapgood; Note on the text; List of characters; The play; Reading list.
Erscheint lt. Verlag | 21.4.2003 |
---|---|
Reihe/Serie | The New Cambridge Shakespeare |
Co-Autor | Robert Hapgood |
Zusatzinfo | 11 Halftones, unspecified |
Verlagsort | Cambridge |
Sprache | englisch |
Maße | 158 x 237 mm |
Gewicht | 560 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 0-521-82545-8 / 0521825458 |
ISBN-13 | 978-0-521-82545-0 / 9780521825450 |
Zustand | Neuware |
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