German Life (eBook)

I had no idea what was going on. Or very little. No more than most people. So you can't make me feel guilty. Brunhilde Pomsel's life spanned the twentieth century. She struggled to make ends meet as a secretary in Berlin during the 1930s, her many employers including a Jewish insurance broker, the German Broadcasting Corporation and, eventually, Joseph Goebbels. Christopher Hampton's play is based on the testimony she gave when she finally broke her silence to a group of Austrian filmmakers, shortly before she died in 2016. Maggie Smith, alone on stage, plays Brunhilde Pomsel. Christopher Hampton's play is drawn from the testimony Pomsel gave when she finally broke her silence shortly before she died to a group of Austrian filmmakers, and from their documentary A German Life (Christian Krönes, Olaf Müller, Roland Schrotthofer and Florian Weigensamer, produced by Blackbox Film & Media Productions).

Christopher Hampton was born in the Azores in 1946. He wrote his first play, When Did You Last See My Mother?, at the age of eighteen. Since then, his plays have included The Philanthropist, Savages, Tales from Hollywood, Les Liaisons Dangereuses, White Chameleon, The Talking Cure, Appomattox and A German Life. Appomattox was turned into an opera by Philip Glass in 2014. He has translated plays by Ibsen, Molière, von Horváth, Chekhov and Yasmina Reza (including Art and Life x 3). He has translated seven plays by Florian Zeller, including The Father and The Son, both of which he subsequently co-wrote for the screen with Florian Zeller, winning an Oscar for Best Adapted Screenplay for The Father in 2021. Musicals include Rebecca, Stephen Ward, Sunset Boulevard and The Third Man. His television work includes adaptations of The History Man, Hôtel du Lac and The Singapore Grip. His screenplays include The Honorary Consul, The Good Father, Dangerous Liaisons, Mary Reilly, Total Eclipse, The Quiet American, Atonement, Cheri, A Dangerous Method, Ali & Nino, Carrington, The Secret Agent and Imagining Argentina, the last three of which he also directed.

---

I had no idea what was going on. Or very little. No more than most people. So you can't make me feel guilty. Brunhilde Pomsel's life spanned the twentieth century. She struggled to make ends meet as a secretary in Berlin during the 1930s, her many employers including a Jewish insurance broker, the German Broadcasting Corporation and, eventually, Joseph Goebbels. Christopher Hampton's play is based on the testimony she gave when she finally broke her silence to a group of Austrian filmmakers, shortly before she died in 2016. Maggie Smith, alone on stage, plays Brunhilde Pomsel. Christopher Hampton's play is drawn from the testimony Pomsel gave when she finally broke her silence shortly before she died to a group of Austrian filmmakers, and from their documentary A German Life (Christian Krones, Olaf Muller, Roland Schrotthofer and Florian Weigensamer, produced by Blackbox Film & Media Productions).