Girlhood (eBook)

WINNER OF THE DEREK WALCOTT PRIZE FOR POETRY Julia Copus's new collection, Girlhood, is a book of transgressed boundaries and seductive veneers. Restlessly inquisitive, it exposes the shifting power balance between things on the verge of becoming and the forces that threaten to destroy them. Reading these poems, we have the sense of encountering a series of filmic installations arranged by episode in a gallery. Lost, censored or disparaged voices speak out from secluded spaces and moments of hidden history: from within a professor's office and a deserted department store; from kitchens, bedrooms, hallways and upstairs windows; through changing weathers, fidgety shadows and the witching hour. Girlhood concludes with a sequence set in a psychiatric hospital that reimagines Jacques Lacan's treatment of his most famous case study, Marguerite Pantaine. This dramatic meeting of minds has us questioning who is the more delusional - doctor or patient: like other victims in this exhilarating new collection, Marguerite may initially appear vanquished, but a closer look reveals how little of herself she has really surrendered.

Julia Copus has published four collections of poetry and been shortlisted for the T.S. Eliot and Costa Book awards. Her most recent collection, Girlhood, was published by Faber in 2019 and was the inaugural winner of the USA's Derek Walcott Prize for best poetry collection by a non-US citizen. Other awards include First Prize in the UK's National Poetry Competition and the Forward Prize for Best Single Poem. Her 2021 biography of Bloomsbury poet Charlotte Mew, This Rare Spirit, was chosen by Sir Andrew Motion as a Spectator Book of the Year and described by John Carey in the Sunday Times as 'a triumph of precise scholarship and imaginative sympathy'. She is a Fellow of the Royal Society of Literature.

---

WINNER OF THE DEREK WALCOTT PRIZE FOR POETRYJulia Copus's new collection, Girlhood, is a book of transgressed boundaries and seductive veneers. Restlessly inquisitive, it exposes the shifting power balance between things on the verge of becoming and the forces that threaten to destroy them. Reading these poems, we have the sense of encountering a series of filmic installations arranged by episode in a gallery. Lost, censored or disparaged voices speak out from secluded spaces and moments of hidden history: from within a professor's office and a deserted department store; from kitchens, bedrooms, hallways and upstairs windows; through changing weathers, fidgety shadows and the witching hour. Girlhood concludes with a sequence set in a psychiatric hospital that reimagines Jacques Lacan's treatment of his most famous case study, Marguerite Pantaine. This dramatic meeting of minds has us questioning who is the more delusional - doctor or patient: like other victims in this exhilarating new collection, Marguerite may initially appear vanquished, but a closer look reveals how little of herself she has really surrendered.