Life and Art of Felrath Hines (eBook)

From Dark to Light
eBook Download: PDF
2019
170 Seiten
Indiana University Press (Verlag)
978-0-253-03733-6 (ISBN)

Lese- und Medienproben

Life and Art of Felrath Hines -  Rachel Berenson Perry
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- Hines was the first African American man to become a professional conservator for the Smithsonian National Portrait Galley.

- Midwest roots with ties to NY, Chicago, and DC.

- October 3 is the 25th anniversary of his death

- Hines participated in the African American Spiral Group of New York and the equal rights movement.

- Author is former fine arts curator and author of several books.

Featuring exquisite color photographs, The Life and Art of Felrath Hines explores the artist's life, work, and significance as an artist and as an art conservator.


Felrath Hines (1913-1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams. The Life and Art of Felrath Hines: From Dark to Light chronicles the life of this exceptional artist who overcame numerous obstacles throughout his career and refused to be pigeonholed because of his race. Author Rachel Berenson Perry tracks Hines's determination and success as a contemporary artist on his own terms. She explores Hines's life in New York City in the 1950s and 60s, where he created a close friendship with jazz musician Billy Strayhorn and participated in the African American Spiral Group of New York and the equal rights movement. Hines's relationship with Georgia O'Keeffe, as her private paintings restorer, and a lifetime of creating increasingly esteemed Modernist artwork, all tell the story of one man's remarkable journey in 20th-century America.Featuring exquisite color photographs, The Life and Art of Felrath Hines explores the artist's life, work, and significance as an artist and as an art conservator.

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Rachel Berenson Perry is the former fine arts curator of the Indiana State Museum, where she organized and curated all of the art exhibitions from 2003 through 2011. She is author of numerous articles for American Art Review and Traces of Indiana and Midwestern History (Indiana Historical Society) and was the winner of the 2014 Jacob P. Dunn Award for best article in Traces of Indiana and Midwestern History. She is a well-known scholar of historical Indiana artists and author (with Selma N. Steele) of The House of the Singing Winds, finalist for 2016 INDIES book of the Year Award. Perry lives in Nashville, Indiana, where she writes books about Indiana artists and enjoys the ambiance and natural surroundings of Brown County.

Floyd Coleman is coauthor of Basic Design: Systems, Elements, Applications (Prentice Hall, 1984) and contributing author to Walls of Heritage Walls of Pride: African American Murals (Pomegranate, 2000). He is also professor emeritus, Department of Art, Howard University, Washington, DC

Jennifer McComas, PhD, is the curator of European and American Art at the Eskenazi Museum of Art at Indiana University, Bloomington. A scholar of modern art, she is the author of the exhibition catalog Pioneers and Exiles: German Expressionism at the Indiana University Art Museum (IU Art Museum, 2012) and a contributor to the anthology Re-envisioning the Contemporary Art Canon: Perspectives in a Global World (Routledge, 2017).

Julie L. McGee is associate professor of black American studies and art history, and associate director of the Interdisciplinary Humanities Research Center at the University of Delaware. She has written and lectured extensively on African American art and contemporary art in South Africa, and has curated exhibitions for the David C. Driskell Center, the Bowdoin College Museum of Art in Maine, the Visual Arts Center of New Jersey and Guga S'Thebe Community Arts Centre in Langa (Cape Town), South Africa. With Vuyile C. Voyiya, McGee coproduced the documentary film The Luggage is Still Labeled: Blackness in South African Art. In 2011–12 she held the Dorothy Kayser Hohenberg Chair of Excellence in Art History at the University of Memphis.

Foreword


Acknowledgments


A Sense of Wonderment: The Abstract Paintings of Felrath Hines by Jennifer McComas


1. Pivotal Decision: New York City, 1946-1959


2. Back to Beginning: Indianapolis, 1913-1937


3. Getting the Spark: Chicago, 1937-1946


4. Becoming a Conservator: New York City, 1960-1965


5. Spiral and "Black Art": New York City, 1965-1971


6. Coming into His Own: Chief Conservator and Working Artist, Washington, D.C., 1972-1980


7. Full Time Painter: Washington, D.C., 1980-1993


8. Life After Death: 1993-2017


Epilogue: Perspectives on Felrath Hines by Floyd Coleman with Julie L. McGee


Plates


Appendix 1: Chronology


Appendix 2: Felrath Hines CV


Index

Erscheint lt. Verlag 1.1.2019
Nachwort Floyd Coleman, Julie L McGee
Vorwort Jennifer McComas
Zusatzinfo 48 color illus., 27 b&w illus.
Verlagsort Bloomington
Sprache englisch
Maße 250 x 250 mm
Themenwelt Literatur Biografien / Erfahrungsberichte
Schlagworte African American • African American Spiral Group of New York • ART • art conservator • Art Institute of Chicago • Billy Strayhorn • Biography • Chicago • Chicago and Northwestern Railroad • gallery • Georgia O-Keefe • Herron Art Institute • Indianapolis • modernist • New York City • Painter • Race • Segregation • Smithsonian
ISBN-10 0-253-03733-6 / 0253037336
ISBN-13 978-0-253-03733-6 / 9780253037336
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