Theatre and National Identity in Colonial India
Springer Verlag, Singapore
978-981-13-1176-5 (ISBN)
This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Sharmistha Saha is a faculty at the Department of Humanities and Social Sciences, Indian Institute of Technology Bombay. She has been a doctoral and postdoctoral fellow at the International Research Training Group 'Interart', Berlin in the past where she completed her PhD under the supervision of Prof. Erika Fischer-Lichte and Prof. Christoph Wulf. She was earlier a student of Theatre and Performance Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. She is also a theatre practitioner.
1. Nation and its Theatre: Towards a Methodology.- Part I Thinking Indian Theatre.- 2. Critical Meanderings: ‘Theatre’ in Colonial India.- Part II Performing Indian Theatre.- 3. A New Sociability: The Colonial Urbes Prima Goes to the Theatre.- 4. Coming Communities and Vacillating Definitions: The Case of Censorship and Swadeshi Jatra.- 5. The Commune-ist Air—The Case of the IPTA Central Squad.- 6. Epilogue: Indian Theatre: What Are We Talking About?.- Bibliography.
Erscheinungsdatum | 17.10.2018 |
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Zusatzinfo | 18 Illustrations, black and white; XVI, 175 p. 18 illus. |
Verlagsort | Singapore |
Sprache | englisch |
Maße | 155 x 235 mm |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
Kunst / Musik / Theater ► Theater / Ballett | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften | |
ISBN-10 | 981-13-1176-5 / 9811311765 |
ISBN-13 | 978-981-13-1176-5 / 9789811311765 |
Zustand | Neuware |
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