This book includes selected poems from the following collections: Early Poems, Odes 1818-1828, Ballades 1813-1828, Les Orientales 1829, Les Feuilles D'Automne 1831, Les Chants du Crepuscule 1849, Les Voix Interieures 1840, Les Rayons et Les Ombres 1840, Les Chatiments 1853, Les Contemplations 1836-1856, La Legende des Siecles, La Voix de Guernesey, L'Annee Terrible, L'Art d'Etre Grandpere, Les Quatre Vents de l'Esprit, Various Pieces, and Dramatic Pieces.According to Wikipedia: 'Victor-Marie Hugo(26 February 1802 - 22 May 1885) was a French poet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France. In France, Hugo's literary fame comes first from his poetry but also rests upon his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. Outside France, his best-known works are the novels Les Misérables and Notre-Dame de Paris (known in English also as The Hunchback of Notre Dame). Though a committed conservative royalist when he was young, Hugo grew more liberal as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. He is buried in the Panthéon.'
Links from the active table of contents take you directly to the main sections.
This book includes selected poems from the following collections: Early Poems, Odes 1818-1828, Ballades 1813-1828, Les Orientales 1829, Les Feuilles D'Automne 1831, Les Chants du Crepuscule 1849, Les Voix Interieures 1840, Les Rayons et Les Ombres 1840, Les Chatiments 1853, Les Contemplations 1836-1856, La Legende des Siecles, La Voix de Guernesey, L'Annee Terrible, L'Art d'Etre Grandpere, Les Quatre Vents de l'Esprit, Various Pieces, and Dramatic Pieces. According to Wikipedia: "e;Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France. In France, Hugo's literary fame comes first from his poetry but also rests upon his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Legende des siecles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. Outside France, his best-known works are the novels Les Miserables and Notre-Dame de Paris (known in English also as The Hunchback of Notre Dame). Though a committed conservative royalist when he was young, Hugo grew more liberal as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. He is buried in the Pantheon."e;Links from the active table of contents take you directly to the main sections.
MARRIAGE AND FEASTS.
("La salle est magnifique.")
[IV. Aug. 23, 1839.]
The hall is gay with limpid lustre bright--
The feast to pampered palate gives delight--
The sated guests pick at the spicy food,
And drink profusely, for the cheer is good;
And at that table--where the wise are few--
Both sexes and all ages meet the view;
The sturdy warrior with a thoughtful face--
The am'rous youth, the maid replete with grace,
The prattling infant, and the hoary hair
Of second childhood's proselytes--are there;--
And the most gaudy in that spacious hall,
Are e'er the young, or oldest of them all
Helmet and banner, ornament and crest,
The lion rampant, and the jewelled vest,
The silver star that glitters fair and white,
The arms that tell of many a nation's might--
Heraldic blazonry, ancestral pride,
And all mankind invents for pomp beside,
The winged leopard, and the eagle wild--
All these encircle woman, chief and child;
Shine on the carpet burying their feet,
Adorn the dishes that contain their meat;
And hang upon the drapery, which around
Falls from the lofty ceiling to the ground,
Till on the floor its waving fringe is spread,
As the bird's wing may sweep the roses' bed.--
Thus is the banquet ruled by Noise and Light,
Since Light and Noise are foremost on the site.
The chamber echoes to the joy of them
Who throng around, each with his diadem--
Each seated on proud throne--but, lesson vain!
Each sceptre holds its master with a chain!
Thus hope of flight were futile from that hall,
Where chiefest guest was most enslaved of all!
The godlike-making draught that fires the soul
The Love--sweet poison-honey--past control,
(Formed of the sexual breath--an idle name,
Offspring of Fancy and a nervous frame)--
Pleasure, mad daughter of the darksome Night,
Whose languid eye flames when is fading light--
The gallant chases where a man is borne
By stalwart charger, to the sounding horn--
The sheeny silk, the bed of leaves of rose,
Made more to soothe the sight than court repose;
The mighty palaces that raise the sneer
Of jealous mendicants and wretches near--
The spacious parks, from which horizon blue
Arches o'er alabaster statues new;
Where Superstition still her walk will take,
Unto soft music stealing o'er the lake--
The innocent modesty by gems undone--
The qualms of judges by small brib'ry won--
The dread of children, trembling while they play--
The bliss of monarchs, potent in their sway--
The note of war struck by the culverin,
That snakes its brazen neck through battle din--
The military millipede
That tramples out the guilty seed--
The capital all pleasure and delight--
And all that like a town or army chokes
The gazer with foul dust or sulphur smokes.
The budget, prize for which ten thousand bait
A subtle hook, that ever, as they wait
Catches a weed, and drags them to their fate,
While gleamingly its golden scales still spread--
Such were the meats by which these guests were fed.
A hundred slaves for lazy master cared,
And served each one with what was e'er prepared
By him, who in a sombre vault below,
Peppered the royal pig with peoples' woe,
And grimly glad went laboring till late--
The morose alchemist we know as Fate!
That ev'ry guest might learn to suit his taste,
Behind had Conscience, real or mock'ry, placed;
Conscience a guide who every evil spies,
But royal nurses early pluck out both his eyes!
Oh! at the table there be all the great,
Whose lives are bubbles that best joys inflate!
Superb, magnificent of revels--doubt
That sagest lose their heads in such a rout!
In the long laughter, ceaseless roaming round,
Joy, mirth and glee give out a maelstroem's sound;
And the astonished gazer casts his care,
Where ev'ry eyeball glistens in the flare.
But oh! while yet the singing Hebes pour
Forgetfulness of those without the door--
At very hour when all are most in joy,
And the hid orchestra annuls annoy,
Woe--woe! with jollity a-top the heights,
With further tapers adding to the lights,
And gleaming 'tween the curtains on the street,
Where poor folks stare--hark to the heavy feet!
Some one smites roundly on the gilded grate,
Some one below will be admitted straight,
Some one, though not invited, who'll not wait!
Close not the door! Your orders are vain breath--
That stranger enters to be known as Death--
Or merely Exile--clothed in alien guise--
Death drags away--with his prey Exile flies!
Death is that sight. He promenades the hall,
And casts a gloomy shadow on them all,
'Neath which they bend like willows soft,
Ere seizing one--the dumbest monarch oft,
And bears him to eternal heat and drouth,
While still the toothsome morsel's in his mouth.
G.W.M. REYNOLDS.
THE MORROW OF GRANDEUR.
("Non, l'avenir n'est a personne!")
[V. ii., August, 1832.]
Sire, beware, the future's range
Is of God alone the power,
Naught below but augurs change,
E'en with ev'ry passing hour.
Future! mighty mystery!
All the earthly goods that be,
Fortune, glory, war's renown,
King or kaiser's sparkling crown,
Victory! with her burning wings,
Proud ambition's covetings,--
These may our grasp no more detain
Than the free bird who doth alight
Upon our roof, and takes its flight
High into air again.
Nor smile, nor tear, nor haughtiest lord's command,
Avails t' unclasp the cold and closed hand.
Thy voice to disenthrall,
Dumb phantom, shadow ever at our side!
Veiled spectre, journeying with us stride for stride,
Whom men "To-morrow" call.
Oh, to-morrow! who may dare
Its realities to scan?
God to-morrow brings to bear
What to-day is sown by man.
'Tis the lightning in its shroud,
'Tis the star-concealing cloud,
Traitor, 'tis his purpose showing,
Engine, lofty tow'rs o'erthrowing,
Wand'ring star, its region changing,
"Lady of kingdoms," ever ranging.
To-morrow! 'Tis the rude display
Of the throne's framework, blank and cold,
That, rich with velvet, bright with gold,
Dazzles the eye to-day.
To-morrow! 'tis the foaming war-horse falling;
To-morrow! thy victorious march appalling,
'Tis the red fires from Moscow's tow'rs that wave;
'Tis thine Old Guard strewing the Belgian plain;
'Tis the lone island in th' Atlantic main:
To-morrow! 'tis the grave!
Into capitals subdued
Thou mayst ride with gallant rein,
Cut the knots of civil feud
With the trenchant steel in twain;
With thine edicts barricade
Haughty Thames' o'er-freighted trade;
Fickle Victory's self enthrall,
Captive to thy trumpet call;
Burst the stoutest gates asunder;
Leave the names of brightest wonder,
Pale and dim, behind thee far;
And to exhaustless armies yield
Thy glancing spur,--o'er Europe's field
A glory-guiding star.
God guards duration, if lends space to thee,
Thou mayst o'er-range mundane immensity,
Rise high as human head can rise sublime,
Snatch Europe from the stamp of Charlemagne,
Asia from Mahomet; but never gain
Power o'er the Morrow from the Lord of Time!
Fraser's Magazine.
THE EAGLET MOURNED.
("Encore si ce banni n'eut rien aime sur terre.")
[V,...
Erscheint lt. Verlag | 1.3.2018 |
---|---|
Sprache | englisch |
Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
ISBN-10 | 1-4553-9108-5 / 1455391085 |
ISBN-13 | 978-1-4553-9108-0 / 9781455391080 |
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