Chronicles of Clovis (eBook)

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2017
173 Seiten
Lulu.com (Verlag)
978-1-387-13126-6 (ISBN)

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Chronicles of Clovis -  Saki
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'The Chronicles of Clovis' is a collection of short stories, including 'The Great Weep', 'Tobermory', 'Adrian', and many more.  This early work by H. H. Munro was originally published in 1911.


It is a collection of 30 extremely wry and witty short stories written by the inimitable Saki (the pen name for H.H. Munro). The setting is in the midst of upper class English society during the Edwardian Period, the period between the Boer War and World War when the British Empire reached it's peak. Devotees of Downton Abbey will find themselves on familiar ground, save for the slightly disconcerting presence of Clovis. Clovis Sangrail, the nominal central character about whom these stories revolve, is a typical Saki hero: young, vain, effete, worldly, slightly cruel, a bit decadent and extremely witty. Clovis is the spiritual successor to Saki's well-loved Reginald character. He's a bit more of a prankster than a simple snarker than Reginald, but there's plenty of deadpan humor in the stories which feature him.
Included in this collection are some of Saki's very best works, including 'Mrs. Packleetide's Tiger', 'The Background', 'The Jesting of Arlington Stingham', 'Tobermory', 'Sredni Vastar', 'The talking-Out of Tarrington', 'Filboid Studge' and 'The Secret Sin of Septimus Brope'. 
Both Saki, and the world about which he wrote so well, came to an end during with World War I. Nevertheless, few writers have ever been able to achieve Saki's level of irony, satire, wit and sophistication.


Saki was one of A. A. Milne's favourites, and this speaks volumes for his quality & is enough reason alone for you to pick him up. There's a rather lovely Edwardian sensibility to his work although with the benefit of history. 


Hector Hugh Munro (18 December 1870 - 14 November 1916), better known by the pen name Saki, and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirize Edwardian society and culture. He is considered a master of the short story, and often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll and Rudyard Kipling, he himself influenced A. A. Milne, Noël Coward and P. G. Wodehouse.


Hector Hugh Munro was born in Akyab, Burma in 1870. He was raised by aunts in North Devon, England, before returning to Burma in his early twenties to join the Colonial Burmese Military Police. Later, Munro returned once more to England, where he embarked on his career as a journalist, becoming well-known for his satirical 'Alice in Westminster' political sketches, which appeared in the Westminster Gazette. Arguably better-remembered by his pen name, 'Saki', Munro is now considered a master of the short story, with tales such as 'The Open Window' regarded as examples of the form at its finest.



'The Chronicles of Clovis' is a collection of short stories, including 'The Great Weep', 'Tobermory', 'Adrian', and many more. This early work by H. H. Munro was originally published in 1911.It is a collection of 30 extremely wry and witty short stories written by the inimitable Saki (the pen name for H.H. Munro). The setting is in the midst of upper class English society during the Edwardian Period, the period between the Boer War and World War when the British Empire reached it's peak. Devotees of Downton Abbey will find themselves on familiar ground, save for the slightly disconcerting presence of Clovis. Clovis Sangrail, the nominal central character about whom these stories revolve, is a typical Saki hero: young, vain, effete, worldly, slightly cruel, a bit decadent and extremely witty.Clovis is the spiritual successor to Saki's well-loved Reginald character. He's a bit more of a prankster than a simple snarker than Reginald, but there's plenty of deadpan humor in the stories which feature him.Included in this collection are some of Saki's very best works, including "e;Mrs. Packleetide's Tiger"e;, "e;The Background"e;, "e;The Jesting of Arlington Stingham"e;, "e;Tobermory"e;, "e;Sredni Vastar"e;, "e;The talking-Out of Tarrington"e;, "e;Filboid Studge"e; and "e;The Secret Sin of Septimus Brope"e;.Both Saki, and the world about which he wrote so well, came to an end during with World War I. Nevertheless, few writers have ever been able to achieve Saki's level of irony, satire, wit and sophistication.Saki was one of A. A. Milne's favourites, and this speaks volumes for his quality & is enough reason alone for you to pick him up. There's a rather lovely Edwardian sensibility to his work although with the benefit of history.Hector Hugh Munro (18 December 1870 - 14 November 1916), better known by the pen name Saki, and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirize Edwardian society and culture. He is considered a master of the short story, and often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll and Rudyard Kipling, he himself influenced A. A. Milne, Nol Coward and P. G. Wodehouse.Hector Hugh Munro was born in Akyab, Burma in 1870. He was raised by aunts in North Devon, England, before returning to Burma in his early twenties to join the Colonial Burmese Military Police. Later, Munro returned once more to England, where he embarked on his career as a journalist, becoming well-known for his satirical 'Alice in Westminster' political sketches, which appeared in the Westminster Gazette. Arguably better-remembered by his pen name, 'Saki', Munro is now considered a master of the short story, with tales such as 'The Open Window' regarded as examples of the form at its finest.

ESMÉ


"All hunting stories are the same," said Clovis; "just as all Turf stories are the same, and all—"

"My hunting story isn't a bit like any you've ever heard," said the Baroness. "It happened quite a while ago, when I was about twenty-three. I wasn't living apart from my husband then; you see, neither of us could afford to make the other a separate allowance. In spite of everything that proverbs may say, poverty keeps together more homes than it breaks up. But we always hunted with different packs. All this has nothing to do with the story."

"We haven't arrived at the meet yet. I suppose there was a meet," said Clovis.

"Of course there was a meet," said the Baroness; all the usual crowd were there, especially Constance Broddle. Constance is one of those strapping florid girls that go so well with autumn scenery or Christmas decorations in church. 'I feel a presentiment that something dreadful is going to happen,' she said to me; 'am I looking pale?'

"She was looking about as pale as a beetroot that has suddenly heard bad news.

"'You're looking nicer than usual,' I said, 'but that's so easy for you.' Before she had got the right bearings of this remark we had settled down to business; hounds had found a fox lying out in some gorse-bushes."

"I knew it," said Clovis, "in every fox-hunting story that I've ever heard there's been a fox and some gorse-bushes."

"Constance and I were well mounted," continued the Baroness serenely, "and we had no difficulty in keeping ourselves in the first flight, though it was a fairly stiff run. Towards the finish, however, we must have held rather too independent a line, for we lost the hounds, and found ourselves plodding aimlessly along miles away from anywhere. It was fairly exasperating, and my temper was beginning to let itself go by inches, when on pushing our way through an accommodating hedge we were gladdened by the sight of hounds in full cry in a hollow just beneath us.

"'There they go,' cried Constance, and then added in a gasp, 'In Heaven's name, what are they hunting?'

"It was certainly no mortal fox. It stood more than twice as high, had a short, ugly head, and an enormous thick neck.

"'It's a hyaena,' I cried; 'it must have escaped from Lord Pabham's Park.'

"At that moment the hunted beast turned and faced its pursuers, and the hounds (there were only about six couple of them) stood round in a half-circle and looked foolish. Evidently they had broken away from the rest of the pack on the trail of this alien scent, and were not quite sure how to treat their quarry now they had got him.

"The hyaena hailed our approach with unmistakable relief and demonstrations of friendliness. It had probably been accustomed to uniform kindness from humans, while its first experience of a pack of hounds had left a bad impression. The hounds looked more than ever embarrassed as their quarry paraded its sudden intimacy with us, and the faint toot of a horn in the distance was seized on as a welcome signal for unobtrusive departure. Constance and I and the hyaena were left alone in the gathering twilight.

"'What are we to do?' asked Constance.

"'What a person you are for questions,' I said.

"'Well, we can't stay here all night with a hyaena,' she retorted.

"'I don't know what your ideas of comfort are,' I said; 'but I shouldn't think of staying here all night even without a hyaena. My home may be an unhappy one, but at least it has hot and cold water laid on, and domestic service, and other conveniences which we shouldn't find here. We had better make for that ridge of trees to the right; I imagine the Crowley road is just beyond.'

"We trotted off slowly along a faintly marked cart-track, with the beast following cheerfully at our heels.

"'What on earth are we to do with the hyaena?' came the inevitable question.

"'What does one generally do with hyaenas?' I asked crossly.

"'I've never had anything to do with one before,' said Constance.

"'Well, neither have I. If we even knew its sex we might give it a name. Perhaps we might call it Esmé. That would do in either case.'

"There was still sufficient daylight for us to distinguish wayside objects, and our listless spirits gave an upward perk as we came upon a small half-naked gipsy brat picking blackberries from a low-growing bush. The sudden apparition of two horsewomen and a hyaena set it off crying, and in any case we should scarcely have gleaned any useful geographical information from that source; but there was a probability that we might strike a gipsy encampment somewhere along our route. We rode on hopefully but uneventfully for another mile or so.

"'I wonder what that child was doing there,' said Constance presently.

"'Picking blackberries. Obviously.'

"'I don't like the way it cried,' pursued Constance; 'somehow its wail keeps ringing in my ears.'

"I did not chide Constance for her morbid fancies; as a matter of fact the same sensation, of being pursued by a persistent fretful wail, had been forcing itself on my rather over-tired nerves. For company's sake I hulloed to Esmé, who had lagged somewhat behind. With a few springy bounds he drew up level, and then shot past us.

"The wailing accompaniment was explained. The gipsy child was firmly, and I expect painfully, held in his jaws.

"'Merciful Heaven!' screamed Constance, 'what on earth shall we do? What are we to do?'

"I am perfectly certain that at the Last Judgment Constance will ask more questions than any of the examining Seraphs.

"'Can't we do something?' she persisted tearfully, as Esmé cantered easily along in front of our tired horses.

"Personally I was doing everything that occurred to me at the moment. I stormed and scolded and coaxed in English and French and gamekeeper language; I made absurd, ineffectual cuts in the air with my thongless hunting-crop; I hurled my sandwich case at the brute; in fact, I really don't know what more I could have done. And still we lumbered on through the deepening dusk, with that dark uncouth shape lumbering ahead of us, and a drone of lugubrious music floating in our ears. Suddenly Esmé bounded aside into some thick bushes, where we could not follow; the wail rose to a shriek and then stopped altogether. This part of the story I always hurry over, because it is really rather horrible. When the beast joined us again, after an absence of a few minutes, there was an air of patient understanding about him, as though he knew that he had done something of which we disapproved, but which he felt to be thoroughly justifiable.

"'How can you let that ravening beast trot by your side?' asked Constance. She was looking more than ever like an albino beetroot.

"'In the first place, I can't prevent it,' I said; 'and in the second place, whatever else he may be, I doubt if he's ravening at the present moment.'

"Constance shuddered. 'Do you think the poor little thing suffered much?' came another of her futile questions.

"'The indications were all that way,' I said; 'on the other hand, of course, it may have been crying from sheer temper. Children sometimes do.'

"It was nearly pitch-dark when we emerged suddenly into the highroad. A flash of lights and the whir of a motor went past us at the same moment at uncomfortably close quarters. A thud and a sharp screeching yell followed a second later. The car drew up, and when I had ridden back to the spot I found a young man bending over a dark motionless mass lying by the roadside.

"'You have killed my Esmé,' I exclaimed bitterly.

"'I'm so awfully sorry,' said the young man; I keep dogs myself, so I know what you must feel about it. I'll do anything I can in reparation.'

"'Please bury him at once,' I said; 'that much I think I may ask of you.'

"'Bring the spade, William,' he called to the chauffeur. Evidently hasty roadside interments were contingencies that had been provided against.

"The digging of a sufficiently large grave took some little time. 'I say, what a magnificent fellow,' said the motorist as the corpse was rolled over into the trench. 'I'm afraid he must have been rather a valuable animal.'

"'He took second in the puppy class at Birmingham last year,' I said resolutely.

"Constance snorted loudly.

"'Don't cry, dear,' I said brokenly; 'it was all over in a moment. He couldn't have suffered much.'

"'Look here,' said the young fellow desperately, 'you simply must let me do something by way of reparation.'

"I refused sweetly, but as he persisted I let him have my address.

"Of course, we kept our own counsel as to the earlier episodes of the evening. Lord Pabham never advertised the loss of his hyaena; when a strictly fruit-eating animal strayed from his park a year or two previously he was called upon to give compensation in eleven cases of sheep-worrying and practically to re-stock his neighbours' poultry-yards, and an escaped hyaena would have mounted up to something on the scale of a Government grant. The gipsies were equally unobtrusive over their missing offspring; I don't suppose in large encampments they really know to a child or two how many they've got."

The Baroness paused reflectively, and then continued:

"There was a sequel to the adventure, though. I got through the post a charming little diamond brooch, with the name Esmé set in a sprig of rosemary. Incidentally, too, I lost the friendship of Constance Broddle. You see, when I sold the brooch I quite properly refused to give her any share of the proceeds. I pointed...

Erscheint lt. Verlag 15.8.2017
Reihe/Serie Classic Short Story Collections: Humorous
Classic Short Story Collections: Humorous
Sprache englisch
Themenwelt Literatur Comic / Humor / Manga Humor / Satire
Literatur Romane / Erzählungen
Schlagworte classics • collection single author • English • Fiction • General • humorous • humorous short stories • Satire • short reads • Short Stories
ISBN-10 1-387-13126-5 / 1387131265
ISBN-13 978-1-387-13126-6 / 9781387131266
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