Documenting Performance

The Context and Processes of Digital Curation and Archiving

Toni Sant (Herausgeber)

Buch | Softcover

392 Seiten

2017
Methuen Drama (Verlag)
978-1-4725-8817-3 (ISBN)

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Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.

Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on:
* the contemporary context for documenting performance
* processes of documenting performance
* documenting bodies in motion
* documenting to create

In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.

Toni Sant is the Artistic Director of Spazju Kreattiv, Malta’s national centre for creativity at St James Cavalier in Valletta and is also the author of the books Franklin Furnace & the Spirit of the Avant Garde: A History of the Future (2011) and Remembering Rediffusion in Malta: A History Without Future (2015).

1. Documenting Performance: An Introduction
Toni Sant (University of Hull, United Kingdom)

Part I: Documenting Performance in a Digital Curation Context
2. Performing Arts and Their Memories
Daniela Salazar (New University of Lisbon, Portugal)
3. Description Models for Documenting Performance
Alberto Pendón (Miguel de Cervantes Municipal Theatre, Spain) and
Gema Bueno (Charles III University of Madrid, Spain)
4. Intellectual Property Matters for Documenting Performance
Jeanine Rizzo (Fenech & Fenech Advocates, Malta)
5. Expanding Documentation, or making the most of the cracks in the wall
Annet Dekker (Piet Zwart Institute, the Netherlands),
Gabriella Giannachi (University of Exeter, United Kingdom), and
Vivian van Saaze (Maastricht University, the Netherlands)

Part II: Ways of Documenting
6. Remembering Performance Through the Practice of Oral History
Panayiota Demitriou (University of Bristol, United Kingdom)
7. Translating Performance: desire, intention and interpretation in photographic documents
Helen Newall (Edge Hill University, United Kingdom),
Amy Skinner (University of Hull, United Kingdom), and
Allan Taylor (University of East London, United Kingdom)
8. Documenting Audience Experience: Social Media as Lively Stratification
Joanna Bucknall (The University of Portsmouth, United Kingdom) and
Kirsty Sedgman (United Kingdom)
9. Web Archiving and Participation: the future history of performance?
Vanessa Bartlett (University of New South Wales, Australia)
10. Documenting Digital Performance Artworks
Adam Nash (RMIT University, Australia) and
Laurene Vaughan (RMIT University, Australia)

Part III: Documenting and Archiving
11. Paradocumentation and NT Live’s ‘CumberHamlet’
Daisy Abbott (Glasgow School of Art, United Kingdom) and
Claire Read (University of Roehampton, United Kingdom)
12. Archiving Shakespeare and Thinking Virtually in a Distracted Globe
Alvin Eng Hui Lim (National University of Singapore, Singapore)
13. From Copper-Plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre
Miguel Escobar (National University of Singapore, Singapore)
14. Documenting Music Performance in the Western Australian New Music Archive
Cat Hope (Western Australian Academy of Performing Arts, Australia),
Adam Trainer (Western Australian Academy of Performing Arts, Australia), and Lelia Green (Western Australian Academy of Performing Arts, Australia)
15. Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive
Laurene Vaughan (RMIT University, Australia)

Part IV: Documenting Bodies in Motion

16. What do we document? Dense video and the epistemology of practice
Ben Spatz (University of Huddersfield, United Kingdom)
17. The Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Training
Alissa Clarke (De Montfort University, United Kingdom)
18. Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance
Laura Griffiths (Leeds Beckett University, United Kingdom)
19. Documenting Dance: Tools, Frameworks and Digital Transformation
Sarah Whatley (Coventry University, United Kingdom)

List of Contributors
Notes
Index

Erscheinungsdatum	23.03.2017
Zusatzinfo	5 bw illus
Verlagsort	London
Sprache	englisch
Maße	138 x 216 mm
Gewicht	449 g
Themenwelt	Literatur ► Lyrik / Dramatik ► Dramatik / Theater
Themenwelt	Kunst / Musik / Theater ► Theater / Ballett
ISBN-10	1-4725-8817-7 / 1472588177
ISBN-13	978-1-4725-8817-3 / 9781472588173
Zustand	Neuware