The Last Days of Night - Graham Moore

The Last Days of Night

A Novel

(Autor)

Buch | Softcover
384 Seiten
2016 | International edition
Random House USA Inc (Verlag)
978-0-399-58941-6 (ISBN)
17,85 inkl. MwSt
zur Neuauflage
  • Titel erscheint in neuer Auflage
  • Artikel merken
Zu diesem Artikel existiert eine Nachauflage
NEW YORK TIMES BESTSELLER - "A world of invention and skulduggery, populated by the likes of Edison, Westinghouse, and Tesla."-Erik Larson

"A model of superior historical fiction . . . an exciting, sometimes astonishing story."-The Washington Post

From Graham Moore, the Oscar-winning screenwriter of The Imitation Game and New York Times bestselling author of The Sherlockian, comes a thrilling novel-based on actual events-about the nature of genius, the cost of ambition, and the battle to electrify America.

New York, 1888. Gas lamps still flicker in the city streets, but the miracle of electric light is in its infancy. The person who controls the means to turn night into day will make history-and a vast fortune. A young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win. Paul's client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country?

The case affords Paul entry to the heady world of high society-the glittering parties in Gramercy Park mansions, and the more insidious dealings done behind closed doors. The task facing him is beyond daunting. Edison is a wily, dangerous opponent with vast resources at his disposal-private spies, newspapers in his pocket, and the backing of J. P. Morgan himself. Yet this unknown lawyer shares with his famous adversary a compulsion to win at all costs. How will he do it?

In obsessive pursuit of victory, Paul crosses paths with Nikola Tesla, an eccentric, brilliant inventor who may hold the key to defeating Edison, and with Agnes Huntington, a beautiful opera singer who proves to be a flawless performer on stage and off. As Paul takes greater and greater risks, he'll find that everyone in his path is playing their own game, and no one is quite who they seem.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE PHILADELPHIA INQUIRER

"A satisfying romp . . . Takes place against a backdrop rich with period detail . . . Works wonderfully as an entertainment . . . As it charges forward, the novel leaves no dot unconnected."-Noah Hawley, The New York Times Book Review

Graham Moore is the New York Times bestselling author of The Sherlockian and the Academy Award-winning screenwriter for The Imitation Game, which also won a Writers Guild of America Award for best adapted screenplay. Moore was born in Chicago, received a B.A. in religious history from Columbia University in 2003, and now lives in Los Angeles.

CHAPTER 1 The Last Days of Night People don't know what they want until you show it to them. -Steve Jobs May 11, 1888 On the day that he would first meet Thomas Edison, Paul watched a man burn alive in the sky above Broadway. The immolation occurred late on a Friday morning. The lunchtime bustle was picking up as Paul descended from his office building onto the crowded street. He cut an imposing figure against the flow of pedestrians: six feet four inches, broad shouldered, cleanshaven, clothed in the matching black coat, vest, and long tie that was to be expected of New York's young professional men. His hair, perfectly parted on the left, had just begun to recede into a gentle widow's peak. He looked older than his twenty-six years. As Paul joined the throng along Broadway, he briefly noticed a young man in a Western Union uniform standing on a ladder. The workman was fiddling with electrical wires, the thick black cables that had recently begun to streak the skies of the city. They crisscrossed the thinner, older telegraph wires, and the spring winds had gusted them into a knotty bundle. The Western Union man was attempting to untangle the two sets of wires. He looked like a child flummoxed by enormous shoelaces. Paul's mind was on coffee. He was still new to the financial district, new to his law firm's offices on the third floor of 346 Broadway. He hadn't determined which of the local coffeehouses he preferred. There was the one to the north, along Walker. And the slower-serving but more fashionable one, on Baxter, with the rooster on the door. Paul was tired. The air felt good against his cheeks. He hadn't been outside yet that day. He'd slept in his office the night before. When he saw the first spark, he didn't immediately realize what was happening. The workman grabbed hold of a wire and tugged. Paul heard a pop-just a quick, strange pop-as the man shuddered. Paul would later remember seeing a flash, even if at the time he wasn't sure what it was. The workman reached out for support, grasping another wire with his free hand. This, Paul would come to understand, was the man's mistake. He'd created a connection. He'd become a live conductor. And then both of the workman's arms jolted with orange sparks. There had to be two hundred people crowding the street that morning, and every head seemed to turn at the same time. Financiers parading in their wide-brimmed top hats; stock traders' assistants sprinting down to Wall Street clutching secret messages; social secretaries in teal skirts and sharp matching jackets; accountants out hunting for sandwiches; ladies in Doucet dresses visiting from Washington Square; local politicians eager for their duck lunches; a fleet of horses dragging thick-wheeled cabs over the uneven cobblestones. Broadway was the artery that fueled lower Manhattan. A wealth heretofore unknown on the face of the earth was burbling up from beneath these very streets. In the morning's paper Paul had read that John Jacob Astor had just become officially richer than the Queen of England. All eyes fixed on the man in the air. A blue flame shot from his mouth. The flame set fire to his hair. His clothes burned off instantly. He fell forward, his arms still wrapped around the wires. His feet dangled against the ladder. His body assumed the position of Jesus upon the cross. The blue flame fired through his mouth and melted the skin from his bones. No one had screamed yet. Paul still wasn't even sure what he was watching. He had seen violence before. He'd grown up on a Tennessee farm. Death and the dying were unspectacular sights along the Cumberland River. But he'd never seen anything like this. Epochal seconds later, as the man's blood poured onto the teenage newsboys below, the screaming began. A stampede of bodies fled the scene. Grown men knocked into women. The newsboys ran through th

Erscheinungsdatum
Zusatzinfo 1 MAP
Verlagsort New York
Sprache englisch
Maße 157 x 236 mm
Gewicht 449 g
Themenwelt Literatur Historische Romane
Literatur Krimi / Thriller / Horror Historische Kriminalromane
Literatur Krimi / Thriller / Horror Krimi / Thriller
Schlagworte Englisch; Historische Kriminalromane • financial thriller • george westinghouse • historical legal thriller • historical mystery thriller • historical thriller • legal thriller • Thomas Edison
ISBN-10 0-399-58941-4 / 0399589414
ISBN-13 978-0-399-58941-6 / 9780399589416
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Kommissar Dupins zwölfter Fall

von Jean-Luc Bannalec

Buch | Softcover (2023)
Kiepenheuer & Witsch (Verlag)
18,00