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In Black and White (eBook)

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eBook Download: EPUB
2014 | 1. Auflage
528 Seiten
Knopf Doubleday Publishing Group (Verlag)
978-0-8041-7252-3 (ISBN)
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He was, for decades, one of the most recognizable figures in the cultural landscape, his image epitomizing a golden age of American show business. His career spanned a lifetime, but for years he has remained hidden behind the persona he so vigorously generated, and so fiercely protected. Now, in this surprising, illuminating, and compulsively readable biography, we are taken beyond the icon, into the extraordinary, singular life of Sammy Davis, Jr.

In scrupulous detail and with stunning powers of evocation, Wil Haygood takes us back to the era of vaudeville, where it all began for four-year-old Sammy who ran out onstage one night and stole the show. From then on it was a motherless childhood on the road, singing and dancing his way across a segregated America with his father and the formidable showman Will Mastin, struggling together to survive the Depression and the demise of vaudeville itself.

With an ambition honed by poverty and an obsessive need for applause, Sammy drove his way into the nightclub circuit of the 1940s and 1950s, when, his father and Mastin aging and out of style, he slowly began to make a name for himself, hustling his way to top billing and eventually to recording contracts. From there, he was to stake his claim on Broadway, in Hollywood, and, of course, in Las Vegas.

Haygood brings Sammy's showbiz life into full relief against the backdrop of an America in the throes of racial change. Sammy grew up trapped between the worlds of blacks and whites, with so much invested in both. He made his living entertaining white people but was often denied service in the very venues he played. Drafted into a newly integrated U.S. Army in the 1940s, he saw up close the fierce tensions that seethed below the surface. Dragged into the civil rights movement, he witnessed a hatred that often erupted into violence. In his broad and varied friendships and alliances (with Frank Sinatra, Martin Luther King, Jr., Richard Nixon, Sidney Poitier, Marilyn Monroe, to name just a few), not to mention his romances (his relationship with Kim Novak and his marriage to the blond beauty May Britt drew death threats), he forged uncharted paths across racial lines. Admired and reviled by both blacks and whites, he was tormented all his life by raging insecurities, and never quite came to terms with his own skin. Ultimately, his only true sense of his identity was as a performer.

Based on painstaking research and more than 250 interviews, Wil Haygood brings us a sweeping and vivid cultural history of the twentieth century, chronicling black entertainment from its beginnings and the birth of popular culture as we know it. In Black and White transcends simple biography to become an important record, both celebratory and elegiacal, of a vanished America and its greatest entertainer.
For decades one of America’s most recognizable stars, the real Sammy Davis, Jr. has long remained hidden behind the persona the performer so vigorously generated—and so fiercely protected. In Black and White vividly recounts this untold story, drawing on painstaking research and more than two hundred and fifty interviews to trace Davis, Jr.’s journey from the vaudeville stage to Broadway, Hollywood, and, of course, Las Vegas. Here Wil Haygood brings Davis’s life into full relief against the backdrop of an America in the throes of racial change. He made his living entertaining white people but was often denied service in the very venues he played, and in his broad and varied friendships—not to mention his romances—Davis crossed racial lines in ways few others had. Both an incisive biography and a sweeping cultural history, In Black and White is an important record of a vanished America—and of one of its greatest entertainers.

VAUDEVILLE DREAMS

Although Sammy Davis, Jr., was descended from the dangers of the Negro plantation-this one located in rural North Carolina-it was the Cuban blood that would confuse him for a lifetime. Family members on the Cuban side would refer to it as 'this Cuban thing.' They meant the currency implied in a particular shade of skin color. And, linked to that, they meant the way love and resentment and distance and abandonment can infect any family, the way it could zoom in and out of mothers and sons and daughters, like a storm whooshing sideways on a horizontal force of its own, missing no one. So it was with his own family.

'My mother was born in San Juan,' Sammy Davis, Jr., proclaimed. But it was a lie, and he knew it. She was born in New York City, of Cuban heritage. The Cuban ancestry, in the wake of the 1962 Cuban missile crisis, which saw President John F. Kennedy and Russian leader Nikita Khrushchev battle to a standoff over nuclear arsenals, made Sammy nervous. Anti-Cuban sentiment had swept the land. The Cuban-haters might begin to dislike him, and Sammy was not in the business of losing admirers and fans. So he flipped the Cuban history-telling relatives to keep quiet about it-with made-up Puerto Rican history. And what the hell, he used the invented history for a joke that made many laugh, all the while lancing piercingly into his own insecurities: 'My mother was born in San Juan. So I'm Puerto Rican, Jewish, colored, and married to a white woman.' A pause for the punch line: 'When I move into a neighborhood, people start running four ways at the same time.'

All his life, he hewed to a talent that enabled more than a few brilliantly tragic minstrel performers to endure: he had the mysterious gift to laugh away a deep, nearly unfathomable pain that finds one scratching for an identity while lost in the beguilingly lit world of make-believe.

. . .

Sammy Davis, Jr.'s, maternal grandmother was born Luisa Valentina Aguiar on February 14, 1884, at 111 Thompson Street in lower Manhattan. Her father, Enrique Aguiar, had given her the middle name Valentina because she was born on Valentine's Day. Enrique, born in Cuba, often talked of family wealth and respect back home in his native land. He had handsome eyes, looked like a man who supremely believed in himself, and carried himself with a regal bearing. Connecticut-born Ida Henderson had a soft round face and long, lovely hair. Enrique first spotted her strolling past a Manhattan laundry and gave pursuit. The romance led to marriage. Both Enrique and Ida were extremely light-skinned and could have mixed with the white citizenry of Manhattan easily. They made a striking couple walking in afternoon sunshine. Her pregnancy greatly delighted both. Then came sudden tragedy: Ida died giving birth to Luisa.

Enrique Aguiar had been very much in love with his wife, and her death devastated him. He was now forced to ponder, alone, how he would care for his only child.

Enrique Aguiar vowed to hold on to Luisa, and was proud of himself for doing so. The dynamic imbued her with a fierce and independent spirit of her own. Over the years, Luisa's light complexion and flowing hair would come to strongly resemble her mother's. The two of them-Luisa would often talk of it in the decades to come-weathered the violent blizzard of 1888 in New York City. The city suffered $20 million in damages during that storm. Many, trudging home in feet-high snow, had been forced to find shelter in the city's jails.

Like many Cubans living in New York City in 1898, Enrique Aguiar couldn't have helped but notice the screaming newspaper headlines about the bombing of the U.S. ship Maine while it...

Erscheint lt. Verlag 28.5.2014
Sprache englisch
Themenwelt Literatur Biografien / Erfahrungsberichte
Wirtschaft
ISBN-10 0-8041-7252-8 / 0804172528
ISBN-13 978-0-8041-7252-3 / 9780804172523
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