Myself When I am Real
Seiten
2000
Oxford University Press Inc (Verlag)
978-0-19-509733-7 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-509733-7 (ISBN)
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Music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man", revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain.
Charles Mingus was one of the most innovative jazz musicians of the 20th century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a highly-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man", revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks.
Charles Mingus was one of the most innovative jazz musicians of the 20th century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a highly-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man", revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks.
A former Fulbright scholar, book editor, and musician, Gene Santoro is a music critic at the New York Daily News and columnist atThe Nation and Chamber Music. The author of Dancing in Your Head and Stir It Up, he has written articles and essays for The Atlantic Monthly, The New York Times, The Village Voice, Spin, Rolling Stone, and Down Beat. He divides his time between New York City and Shokan, New York.
Erscheint lt. Verlag | 24.8.2000 |
---|---|
Zusatzinfo | 32 halftones |
Verlagsort | New York |
Sprache | englisch |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Kunst / Musik / Theater ► Musik ► Jazz / Blues | |
ISBN-10 | 0-19-509733-5 / 0195097335 |
ISBN-13 | 978-0-19-509733-7 / 9780195097337 |
Zustand | Neuware |
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